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Color | 3927 Titles

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Dark Angels (1998)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 90 Minutes

Directed by | David Wadley | Cinematography by | Edwin Myers | Editing by | Kevin Lindstrom

Starring | Louis Murray, Je Nie Fleming, L. Sidney

Zombie Ed (2013)

Direct to Video | Color | 104 Minutes

Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks

Starring | William Cutting, Kelly Petering, Myles McLane

Cameras | Nikon D4 Camera

Lenses | Nikon - Nikkor Lenses

Demolition (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Jean-Marc Vallée

Starring | Jake Gyllenhaal, Naomi Watts, Chris Cooper

Cameras | ARRI ALEXA XT M Camera

Lenses | Zeiss Lenses

Smart Guys (2016)

Web Series | 2D | Color | 1.78:1 (16x9) | 80 Minutes

| Cinematography by | Gino Varisano, Ian Mosley-Duffy | Editing by | Nick Murphy, Paul Ritchey

Starring | Paul Ritchey, Nick Murphy, Josh Henderson, Corey Regensburg

Cameras | Canon EOS-7D Camera, Red One Camera

Fortuna (2020)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 108 Minutes

Directed by | Nicolangelo Gelormini | Cinematography by | Agostino Vertucci | Editing by | Nicolangelo Gelormini

Starring | Valeria Golino, Pina Turco, Libero De Rienzo, Cristina Magnotti

Cameras | Red Epic Camera

Lenses | Cooke S4/i Lenses

Them (2021)

Television Series | 2D | 4K Project | Color | 45 Minutes

| Cinematography by | Checco Varese | Editing by | David Kashevaroff, Jeff Israel, Kevin D. Ross, Genevieve Butler, Dan Downer, Andrew Parkhurst, Daniel Williams

Starring | Deborah Ayorinde, Ashley Thomas, Shahadi Wright Joseph, Alison Pill

Cameras | Sony CineAlta VENICE Camera

Monster (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Anthony Mandler | Cinematography by | David Devlin | Editing by | Joe Klotz

Starring | ASAP Rocky, John David Washington, Kelvin Harrison Jr.

Cameras | Red Epic Dragon Camera

Lenses | Cineovision Lenses, Nikon - Nikkor Lenses, Zeiss Lenses

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

A Dream of Warsaw (2014)

Documentary | 2D | 2K Project | Black & White, Color | 1.78:1 (16x9) | 104 Minutes

Directed by | Krzysztof Magowski | Cinematography by | Maciej Magowski | Editing by | Maciej Magowski

Cameras | Canon Cameras, Sony NEX-FS100 Camera, Sony PMW-EX1R Camera

Sharkasaurus (2014)

Short Film | 2D | Color | 10 Minutes

Directed by | Spencer Estabrooks | Cinematography by | Joshua Whitford | Editing by | Spencer Estabrooks

Starring | Michael Shepherd, Julie Orton, Edwin Perez

Cameras | Panasonic Lumix DMC-GH4 Camera

The Father (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos

Starring | Anthony Hopkins, Olivia Colman, Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

The Unforgivable (2021)

Motion Picture | 2D | 4K Project | Color | 112 Minutes

Directed by | Nora Fingscheidt | Cinematography by | Guillermo Navarro | Editing by | Stephan Bechinger, Joe Walker

Starring | Sandra Bullock, Viola Davis, Vincent D'Onofrio

Cameras | Red Helium 8K Camera

Lenses | Angenieux Lenses, ARRI Lenses

Tarzan the Ape Man (1981)

Motion Picture | 2D | Film Project | Color | 115 Minutes

Directed by | John Derek | Cinematography by | John Derek | Editing by | Jimmy Ling

Starring | Bo Derek, Richard Harris, Miles O'Keeffe

Drive My Car (2021)

Motion Picture | 2D | Color | 1.85:1 | 179 Minutes

Directed by | Ryûsuke Hamaguchi | Cinematography by | Hidetoshi Shinomiya | Editing by | Azusa Yamazaki

Starring | Hidetoshi Nishijima, Tôko Miura, Reika Kirishima

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

Small City (2021)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 74 Minutes

Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson

Starring | Eddie Thompson, Isabella Nefar, Yasen Zates Atour

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Fallen Angels (1995)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 1.85:1, 2.39:1 | 99 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle | Editing by | William Chang, Ming Lam Wong

Starring | Leon Lai, Michelle Reis, Takeshi Kaneshiro

Cameras | ARRI Cameras

Lenses | Kinoptik Lenses

Oasis (2017)

Motion Picture | 2D | Color | 71 Minutes

Directed by | Jorge Ameer | Cinematography by | Matthew Lynn | Editing by | Jorge Ameer

Starring | Cesar DeFuentes, Matthew Lynn, Katia Semacaritt

Cameras | Sony CineAlta F23 Camera

Barry (2018)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Paula Huidobro, Brandon Trost | Editing by | Jeff Buchanan, Kyle Reiter

Starring | Bill Hader, Stephen Root, Sarah Goldberg, Anthony Carrigan

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Leitz Summilux-C Series Lenses

The Call (2020)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Chung-Hyun Lee

Starring | Park Shin-Hye, Jong-seo Jun, Sung-ryung Kim, El Lee

La Marginale (2022)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 |

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar

Starring | Sarah Perles, Corinne Masiero, Delphine Baril

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens

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