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Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Avengers: Infinity War (2018)

Motion Picture | 3D | 2K Project | Color | 1.90:1, 2.39:1 | 149 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Black Panther (2018)

Motion Picture | 3D | 3.4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver

Starring | Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Sonic the Hedgehog 2 (2022)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Jeff Fowler | Cinematography by | Brandon Trost | Editing by | Jim May

Starring | James Marsden, Jim Carrey, Ben Schwartz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision T Series Anamorphic Lenses

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Return of the Thumb (2018)

Motion Picture | 2D | 2K Project | Color | 2.35:1 |

Breaking Bad (2008)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Starring | Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

Spider-Man: Into the Spider-Verse (2018)

Motion Picture | 2D, 3D | Color | 1.33:1 (4x3), 2.39:1 | 117 Minutes

Directed by | Bob Persichetti, Peter Ramsey, Rodney Rothman | Editing by | Robert Fisher Jr.

Starring | Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali

Detainment (2018)

Short Film | 2D | Color | 2.39:1 | 30 Minutes

Directed by | Vincent Lambe | Cinematography by | Patrick Jordan | Editing by | Vincent Lambe

Starring | Ely Solan, Leon Hughes, Will O'Connell, David Ryan

One Small Step (2018)

Short Film | 2D | Color | 2.39:1 | 8 Minutes

Directed by | Andrew Chesworth, Bobby Pontillas | Cinematography by | Andrew Chesworth | Editing by | Andrew Chesworth, Shaofu Zhang

RBG (2018)

Documentary | 2D | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Julie Cohen, Betsy West | Cinematography by | Claudia Raschke | Editing by | Carla Gutierrez

Starring | Ruth Bader Ginsburg, Ann Kittner, Harryette Helsel, Nina Totenberg

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Monica and Friends: Lessons (2021)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Directed by | Daniel Rezende | Cinematography by | Azul Serra | Editing by | Marcelo Junqueira

Starring | Giulia Benite, Marcos Felipe Bojar, Camila Brandão

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

Les Misérables (2019)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Ladj Ly | Cinematography by | Julien Poupard | Editing by | Flora Volpelière

Starring | Damien Bonnard, Alexis Manenti, Djebril Zonga, Issa Perica

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Bitch Lover (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 92 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Stan J. Adams, Sofia Salgado, Shayna Darice

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon Lenses, Samyang Lenses

Song lang (2018)

Direct to Video | 2D | 4K Project | Color | 1.50:1 | 90 Minutes

Directed by | Leon Le | Cinematography by | Bob Nguyen | Editing by | Leon Le

Starring | Kim Chi, Isaac, Vu T. Le Thi

Cameras | ARRI ALEXA Series Cameras

Bitcoin Miners (2021)

Television Episode | 2D | 2K Project | Color | 1.33:1 (4x3) |

Directed by | Scott Migdol | Cinematography by | Scott Migdol

Starring | Freya Fox

Cameras | Blackmagic Micro Studio 4K Camera

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