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Euphoria (2019)

Television Series | 2D | 4K Project | Color | 55 Minutes

| Cinematography by | Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang | Editing by | Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro

Starring | Zendaya, Hunter Schafer, Jacob Elordi

Cameras | ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera

Troubling Youth (2019)

Short Film | 2D | HD Project | Color | 2.39:1 |

Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi

Starring | Alex Belke, Isabella DeBrienne, Ricardo Grand-Pierre

Cameras | Nikon Cameras

Lenses | Nikon - Nikkor Lenses

A Teen Movie (2022)

Short Film | 2D | 4K Project | Color | 1.33:1 (4x3) | 9 Minutes

Directed by | Aranka Tjalsma | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Luna Man, Melissa Blaauwendraad, Roos Groenen

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera 6K Pro

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

Sløborn (2020)

Television Series | 2D | 3.4K Project | Color | 2.39:1 | 48 Minutes

| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna

Starring | Emily Kusche, Aaron Hilmer, Adrian Grünewald

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses

Neeras (2021)

Direct to Video, Short Film | 2D | 4K Project, UHD Project | Color | 2.39:1 | 10 Minutes

Directed by | Achyut Prashast Singh | Cinematography by | Achyut Prashast Singh | Editing by | Achyut Prashast Singh

Starring | Achyut Prashast Singh

Spider-Man: Homecoming (2017)

Motion Picture | 2D | 2.8K Project | Color | 1.33:1 (4x3), 2.39:1 | 133 Minutes

Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental

Starring | Tom Holland, Michael Keaton, Robert Downey Jr.

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

The Misfit (2021)

Short Film | 2D | UHD Project | Color | 2.39:1 | 25 Minutes

Directed by | Chris Tailor | Cinematography by | Antonia Stylianou | Editing by | Chris Tailor

Starring | Alexey Snegirev, Alexia Theodorou, Emilios Anastasi

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Sigma Lenses, Tokina Lenses

Don’t Read This on a Plane (2020)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney

Starring | Sophie Desmarais, Susanna Dekker, Hildegard Schroedter

Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera

Lenses | Angenieux Lenses, Panasonic Lenses, SLR Magic Lenses

Scattered (2020)

Short Film | 2D | 4K Project | Color | 1.85:1 | 11 Minutes

Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis

Starring | Laura Tremblay, Mike Donis, Lori-Ann Clancy

Cameras | Red Epic Camera

Escape: World Safari III (1988)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 109 Minutes

Directed by | Alby Mangels | Editing by | Rod Hay, Tim Jordan

Starring | Alby Mangels, Michelle Els, Lucinda Dunn

Cameras | ARRIFLEX 16SR2 Camera

Razorback (1984)

Motion Picture | 2D | Film Project | Color | 95 Minutes

Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson

Starring | Gregory Harrison, Arkie Whiteley, Bill Kerr, Chris Haywood

Cameras | Panavision Panaflex Gold Camera

Pete Winning and the Pirates (2015)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis

Starring | Mike Donis, Saffron Cassaday, Sandra DaCosta, Shawn Devlin

Cameras | Canon EOS Rebel T2i Camera, Canon EOS-5D Mark II Camera, Canon EOS-5D Mark III Camera

A Christmas Prince (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey

Starring | Rose McIver, Ben Lamb, Alice Krige

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Ultra Prime Lenses

An Officer and a Spy (2019)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Louis Garrel, Christophe Maratier, Pierre Poirot, Stéfan Godin

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Psycho Wedding Crasher (2017)

Television Movie | 2D | Color | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen

Starring | Heather Elizabeth Morris, Fiona Vroom, Jason Cermak

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses

Killer Twin (2018)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle

Starring | Lindsay Hartley, Jason Cermak, Candice Hunter

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses, Zeiss Zoom Lenses

Deadly Match (2019)

Television Movie | 2D | Color | 1.78:1 (16x9) | 83 Minutes

Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon

Starring | Alyssa Lynch, Mitch Ainley, Tatyana Ali

Cameras | Red Digital Cinema Cameras

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