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Color | 3927 Titles

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Zoolander (2001)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 90 Minutes

Directed by | Ben Stiller | Cinematography by | Barry Peterson | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Christine Taylor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man: Across the Spider-Verse (2023)

Motion Picture | 2D | 2K Project | Color | 2.39:1, 2.55:1 | 140 Minutes

Directed by | Joaquim Dos Santos, Kemp Powers, Justin K. Thompson | Editing by | Mike Andrews

Starring | Shameik Moore, Hailee Steinfeld, Brian Tyree Henry

Lethal Weapon 3 (1992)

Motion Picture | 2D | Film Project | Color | 118 Minutes

Directed by | Richard Donner | Cinematography by | Jan de Bont | Editing by | Robert Brown, Battle Davis

Starring | Mel Gibson, Danny Glover, Joe Pesci

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Texas Chain Saw Massacre (1974)

Motion Picture | 2D | Film Project | Color | 83 Minutes

Directed by | Tobe Hooper | Cinematography by | Daniel Pearl | Editing by | J. Larry Carroll, Sallye Richardson

Starring | Marilyn Burns, Edwin Neal, Allen Danziger

Cameras | Bolex H16 RX5 Camera, Éclair NPR Camera

Vertigo (1958)

Motion Picture | 2D | Color | 1.50:1, 1.85:1 | 128 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore

Cameras | Mitchell VistaVision Camera

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

The Blair Witch Project (1999)

Motion Picture | 2D | Black & White, Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Daniel Myrick, Eduardo Sánchez | Cinematography by | Neal Fredericks | Editing by | Daniel Myrick, Eduardo Sánchez

Starring | Heather Donahue, Michael C. Williams, Joshua Leonard

Cameras | Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

I passi leggeri (2018)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Vittorio Rifranti | Cinematography by | Francesco Diaz | Editing by | Endrit Muhametaj

Starring | Fabrizio Rizzolo, Chiara Causa, Ksenija Martinovic

Cameras | Panasonic AU-EVA1 Camera

Lenses | Samyang VDSLR II Cine 85 mm T1.5 Lens

Pavilion (2022)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Eveshka Ghost

Starring | Tim van den Berg, Pip Rose, James McClusky

Cameras | Sony HXR-MC2500 Camera

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

The Killer (2023)

Motion Picture | 2D | 4K Project | Color | 118 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Michael Fassbender, Tilda Swinton, Charles Parnell

Cameras | Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Robot Dreams (2023)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Pablo Berger | Editing by | Fernando Franco

Starring | Ivan Labanda, Tito Trifol, Rafa Calvo

Saltburn (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 131 Minutes

Directed by | Emerald Fennell | Cinematography by | Linus Sandgren | Editing by | Victoria Boydell

Starring | Barry Keoghan, Jacob Elordi, Archie Madekwe

Cameras | ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Wortels Uit Blik (2022)

Short Film | 2D | 4K Project | Color | 2.39:1 | 15 Minutes

Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Julius Appel, Michael Tiedtke, Frida Heijmen

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Photocopier (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi

Starring | Shenina Cinnamon, Dea Panendra, Giulio Parengkuan

Cameras | Red Monstro 8K Camera

Lenses | Leitz M 0.8 Series Lenses, Leitz THALIA Series Lenses

Ben-Hur: A Tale of the Christ (1925)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 143 Minutes

Directed by | Fred Niblo, Charles Brabin, Christy Cabanne, J.J. Cohn, Rex Ingram | Cinematography by | Clyde De Vinna, René Guissart, Percy Hilburn, Karl Struss, Paul Kerschner | Editing by | Lloyd Nosler

Starring | Ramon Novarro, Francis X. Bushman, May McAvoy

Cameras | Akeley 35mm Ciné Camera, Bell & Howell 2709 Camera, Mitchell Standard Camera

Taylor Swift: The Eras Tour (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Sam Wrench | Editing by | Guy Harding, Hamish Lyons, Rupa Rathod, Ben Wainwright-Pearce, Dom Whitworth, Mark 'Reg' Wrench

Starring | Taylor Swift, Mike Meadows, Max Bernstein

Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Le militaire (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski

Starring | Laurent Lucas, Noémie Godin-Vigneau, Harry Standjofski

Cameras | Aaton XTR Prod Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens

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