Color | 3927 Titles
The Iron Claw (2023)
Anatomy of a Fall (2023)
Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal
Cameras | ARRI ALEXA Mini LF Camera
Perfect Days (2023)
Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer
Cameras | Sony CineAlta VENICE 2 Camera
Lenses | Canon K35 Prime Lenses
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Babylon (2022)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses
Nimona (2023)
The Creator (2023)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker
Cameras | Sony ILME-FX3 Camera
Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)
American Fiction (2023)
Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Tribe7 Blackwing7 Lenses
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
Past Lives (2023)
Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Towards the light (2022)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 Series Cameras
Io Capitano (2023)
Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
Golda (2023)
Indiana Jones and the Dial of Destiny (2023)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Good Boy! (2003)
Directed by | John Hoffman | Cinematography by | James Glennon | Editing by | Craig Herring
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Friends (1994)
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Pariah (2007)
Directed by | Dee Rees | Cinematography by | Bradford Young | Editing by | Dasaw Floyd
Cameras | ARRICAM Lite (LT) Camera
The Journey (2002)
Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness
Cameras | Sony HDW-F900 Camera
The Last Temptation of Christ (1988)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX Camera
Do the Right Thing (1989)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Barry Alexander Brown
