Color | 3927 Titles
Age of Heroes (2011)
Directed by | Adrian Vitoria | Cinematography by | Mark Hamilton | Editing by | Chris Gill, Joe Parsons
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
1 Out of 7 (2011)
Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas
Cameras | ARRIFLEX 235 Camera
Snakes on a Train (2006)
Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis
Cameras | Sony HDW-F900 Camera
Kung Fu Killer (2008)
Directed by | Philip Spink | Cinematography by | Man-Ching Ng | Editing by | Mike Banas
Cameras | Sony HDW-F900 Camera
Home Alone 2: Lost in New York (1992)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | Panavision Panaflex Platinum Camera
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Boy and the Heron (2023)
Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi
The Teachers’ Lounge (2023)
Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Argentina, 1985 (2022)
Directed by | Santiago Mitre | Cinematography by | Javier Julia | Editing by | Andrés Pepe Estrada
Cameras | ARRI ALEXA Mini LF Camera
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Sphero 65 Series Lenses
Marcel the Shell with Shoes On (2021)
Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley
Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera
Mrs. Harris Goes to Paris (2022)
Directed by | Anthony Fabian | Cinematography by | Felix Wiedemann | Editing by | Barney Pilling
Cameras | ARRI ALEXA LF Camera
Bran Nue Dae (2009)
The Cat in the Hat (2003)
The Banshees of Inisherin (2022)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
Zack Snyder’s Justice League (2021)
Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Leitz Summilux-C Series Lenses
Mean Girls (2004)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Elemental (2023)
Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer
RRR (2022)
Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses
Tell It Like a Woman (2022)
Directed by | Lucia Bulgheroni, Silvia Carobbio, Catherine Hardwicke, Taraji P. Henson, Mipo Oh, Lucía Puenzo, Maria Sole Tognazzi, Leena Yadav | Cinematography by | Aseem Bajaj, Paul M. Sommers | Editing by | Josie Azzam, Anne-Sophie Bion
