Color | 3927 Titles
Cowboys & Aliens (2011)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kinsey (2004)
Letters from Iwo Jima (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Youth Without Youth (2007)
Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Walter Murch
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Playing by Heart (1998)
Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Platinum Camera
Making Up! (1993)
Directed by | Katja von Garnier | Cinematography by | Torsten Breuer | Editing by | Katja von Garnier
Cameras | ARRIFLEX 16SR3 Camera
Encounters at the End of the World (2007)
Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini
Cameras | Sony HVR-Z1E Camera
The Amazing Spider-Man (2012)
Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia
Cameras | Red Epic Camera
The Girl with the Dragon Tattoo (2011)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Coco Before Chanel (2009)
Directed by | Anne Fontaine | Cinematography by | Christophe Beaucarne | Editing by | Luc Barnier
Cameras | Panavision Panaflex Millennium XL Camera
A History of Violence (2005)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Antitrust (2001)
Directed by | Peter Howitt | Cinematography by | John Bailey | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
The Loss of a Teardrop Diamond (2008)
Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman
Cameras | Panavision Panaflex Platinum Camera
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
Frida (2002)
Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
30 Days of Night (2007)
Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones
Cameras | Panavision Panaflex Millennium XL Camera
33 Days (2012)
Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
The Apostle (1997)
Directed by | Robert Duvall | Cinematography by | Barry Markowitz | Editing by | Stephen Mack
Cameras | Panavision Cameras
Lenses | Panavision Lenses
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
