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Carancho (2010)

Motion Picture | Color | 107 Minutes

Directed by | Pablo Trapero | Cinematography by | Julián Apezteguia | Editing by | Ezequiel Borovinsky, Pablo Trapero

Starring | Ricardo Darín, Martina Gusman, Carlos Weber, José Luis Arias

Cameras | Red One Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

Dirty Laundry (Air It Out) (2003)

Motion Picture | Color | 90 Minutes

Directed by | Shannon Newby | Cinematography by | MJ Schirmer | Editing by | Erik Hammarberg, Shannon Newby

Starring | David O. Hopkins, Rasheda El, Justin Coleman, Clarence Hester

Cameras | ARRI Cameras, Cinema Products Cameras

Lenses | Angenieux Lenses

…And Then She Was Gone (1991)

Television Movie | 2D | Color | 1.33:1 (4x3) | 100 Minutes

Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein

Starring | Robert Urich, Megan Gallagher, Brett Cullen, Vondie Curtis-Hall

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Red Riding Hood (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong

Starring | Amanda Seyfried, Lukas Haas, Gary Oldman, Billy Burke

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Let the Right One In (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter

Starring | Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

A Night at the Roxbury (1998)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | John Fortenberry | Cinematography by | Francis Kenny | Editing by | Jay Kamen

Starring | Chris Kattan, Will Ferrell, Raquel Gardner, Viveca Paulin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Lovely Bones (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Rachel Weisz, Mark Wahlberg, Saoirse Ronan, Susan Sarandon

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Special Relationship (2010)

Television Movie | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver

Starring | Michael Sheen, Demetri Goritsas, Adam Godley, Marc Rioufol

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

30 Days of Night: Dark Days (2010)

Direct to Video | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Ben Ketai | Cinematography by | Eric Maddison | Editing by | Darrin Navarro

Starring | Kiele Sanchez, Rhys Coiro, Diora Baird, Harold Perrineau

Cameras | Sony CineAlta F35 Camera

Leap Year (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore

Starring | Amy Adams, Matthew Goode, Adam Scott, John Lithgow

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision G Series Anamorphic Lenses

Kill Bill: Vol. 2 (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 137 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke

Starring | Uma Thurman, David Carradine, Michael Madsen, Daryl Hannah

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Deserter (2003)

Motion Picture | Color | 75 Minutes

Directed by | Eric Bruno Borgman | Cinematography by | Eric Bruno Borgman, Janet Borgman | Editing by | Eric Bruno Borgman

Starring | Eric Bruno Borgman, Michael Kaplan, George Souza, Michael Greeley

Cameras | ARRI Cameras

Lenses | Angenieux Lenses

A Guide to Recognizing Your Saints (2006)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen

Starring | Robert Downey Jr., Rosario Dawson, Shia LaBeouf, Dianne Wiest

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Reservoir Dogs (1992)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Brooklyn Rules (2007)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford

Starring | Paulo Araujo, Daniel Tay, Ty Thomas Reed, Brian O'Neill

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

Patch Adams (1998)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Tom Shadyac | Cinematography by | Phedon Papamichael | Editing by | Don Zimmerman

Starring | Robin Williams, Daniel London, Monica Potter, Philip Seymour Hoffman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Bicentennial Man (1999)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Chris Columbus | Cinematography by | Phil Meheux | Editing by | Nicolas De Toth, Neil Travis

Starring | Robin Williams, Embeth Davidtz, Sam Neill, Oliver Platt

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Classic Spherical Lenses

Ted (2012)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joel McHale

Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hak hap (1996)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman

Starring | Jet Li, Ching Wan Lau, Karen Mok, Françoise Yip

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Walk Hard: The Dewey Cox Story (2007)

Motion Picture | 2D | HD Project | Color | 96 Minutes

Directed by | Jake Kasdan | Cinematography by | Uta Briesewitz | Editing by | Tara Timpone, Steve Welch

Starring | John C. Reilly, Jenna Fischer, David Krumholtz, Nat Faxon

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

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