Color | 3927 Titles
TRON (2010)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
Traffic (2000)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Phoenix (1998)
Directed by | Danny Cannon | Cinematography by | James L. Carter | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Tripping Forward (2009)
Directed by | Marcus Nash | Cinematography by | Patrick Michael Dolan | Editing by | Eric Gustafson, Mark Hosack, Joel Viertel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Civil Action (1998)
Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Platinum Camera
A Merry War (1997)
Directed by | Robert Bierman | Cinematography by | Giles Nuttgens | Editing by | Bill Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Bulworth (1998)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Robert C. Jones, Billy Weber
The 13th Warrior (1999)
Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Cove (2009)
Directed by | Louie Psihoyos | Cinematography by | Brook Aitken | Editing by | Geoffrey Richman
Cameras | Sony Other Camera, Sony PDW-F350 Camera
Lost in Translation (2003)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Schemer (2010)
Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
Eat Pray Love (2010)
I’m Reed Fish (2006)
Directed by | Zackary Adler | Cinematography by | Doug Chamberlain | Editing by | Yuka Ruell
Cameras | Panavision Panaflex Millennium Camera
Straw Dogs (2011)
Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
61* (2001)
Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow
Cameras | ARRIFLEX 435 ES Camera
Harry Potter and the Half-Blood Prince (2009)
Directed by | David Yates | Cinematography by | Bruno Delbonnel | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Death Valley Superstar (2008)
Directed by | Michael Yaroshevsky | Cinematography by | Glauco Bermudez, Michael Yaroshevsky | Editing by | Michael Yaroshevsky
Cameras | ARRIFLEX 35 BL Camera
