Color | 3927 Titles
Jayne Mansfield’s Car (2012)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Lauren Zuckerman
Before Night Falls (2000)
Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
Ironclad (2011)
Directed by | Jonathan English | Cinematography by | David Eggby | Editing by | Peter Amundson, Gavin Buckley
Cameras | Panavision Genesis Camera
Lenses | Panavision Lenses
Gulliver’s Travels (2010)
Directed by | Rob Letterman | Cinematography by | David Tattersall | Editing by | Alan Edward Bell, Nicolas De Toth, Dean Zimmerman
Cameras | Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
Across the Universe (2007)
Directed by | Julie Taymor | Cinematography by | Bruno Delbonnel | Editing by | Françoise Bonnot
Cameras | ARRI Cameras, Panavision Cameras
Lenses | Panavision Lenses
The Rum Diary (2011)
Directed by | Bruce Robinson | Cinematography by | Dariusz Wolski | Editing by | Carol Littleton
Lenses | Zeiss Ultra Prime Lenses
Planet of the Apes (2001)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Platinum Camera
Sling Blade (1996)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Training Day (2001)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV
Lenses | Hawk C-Series Lenses
28 Days (2000)
Directed by | Betty Thomas | Cinematography by | Declan Quinn | Editing by | Peter Teschner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An Inconvenient Truth (2006)
Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik
Cameras | Sony HDC-F950 Camera
Vampire Effect (2003)
Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan
Lenses | Angenieux Lenses, Zeiss Lenses
A Serious Man (2009)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Truman Show (1998)
Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith
Cameras | Panavision Panaflex Platinum Camera
Carlito’s Way (1993)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow
Cameras | Panavision Panaflex Gold II Camera
Rush Hour (1998)
Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pirate Radio (2009)
Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Biutiful (2010)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Weather Man (2005)
