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Killing Bono (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon

Starring | Ben Barnes, Robert Sheehan, Krysten Ritter, Ralph Brown

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

247°F (2011)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood

Starring | Scout Taylor-Compton, Christina Ulloa, Travis Van Winkle, Michael Copon

Cameras | Red One Camera

Sleepy Hollow (1999)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron

Starring | Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Batman Returns (1992)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Bob Badami, Chris Lebenzon

Starring | Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

O Brother, Where Art Thou? (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | George Clooney, John Turturro, Tim Blake Nelson, John Goodman

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

Lara Croft: Tomb Raider (2001)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Starring | Angelina Jolie, Jon Voight, Iain Glen, Noah Taylor

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Eternal Sunshine of the Spotless Mind (2004)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir

Starring | Jim Carrey, Kate Winslet, Tom Wilkinson, Gerry Robert Byrne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

In Her Skin (2009)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Simone North | Cinematography by | Jules O'Loughlin | Editing by | Jane Moran

Starring | Guy Pearce, Miranda Otto, Ruth Bradley, Sam Neill

Cameras | ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses | Cooke S4 Lenses

The Ides of March (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | Paul Giamatti, George Clooney, Philip Seymour Hoffman, Ryan Gosling

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Insider (1999)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell

Starring | Russell Crowe, Al Pacino, Christopher Plummer, Diane Venora

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses | Panavision Primo Primes Spherical Lenses

Battle Royale (2000)

Motion Picture | 2D, 3D | Color | 1.85:1 | 114 Minutes

Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe

Starring | Tatsuya Fujiwara, Aki Maeda, Tarô Yamamoto, Takeshi Kitano

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Tristram Shandy: A Cock and Bull Story (2005)

Motion Picture | 2D | HD Project | Color | 94 Minutes

Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Peter Christelis

Starring | Steve Coogan, Jeremy Northam, Rob Brydon, Keeley Hawes

Cameras | Sony HDC-750 Camera

Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses

Rachel Getting Married (2008)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 113 Minutes

Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres

Starring | Anne Hathaway, Rosemarie DeWitt, Debra Winger, Sebastian Stan

Cameras | Sony HDW-F900R Camera

Habemus Papam (2011)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria

Starring | Michel Piccoli, Nanni Moretti, Jerzy Stuhr, Renato Scarpa

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Copycat (1995)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim

Starring | Sigourney Weaver, Holly Hunter, Dermot Mulroney, William McNamara

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Silence of the Lambs (1991)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Craig McKay

Starring | Jodie Foster, Anthony Hopkins, Lawrence A. Bonney, Kasi Lemmons

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

A Matter of Taste (2000)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Bernard Rapp | Cinematography by | Gérard de Battista | Editing by | Juliette Welfling

Starring | Bernard Giraudeau, Jean-Pierre Lorit, Florence Thomassin, Charles Berling

Cameras | Moviecam Compact Camera

Hell and Back Again (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway

Starring | Nathan Harris, Ashley Harris, The Marines of Echo Company, Christian Cabaniss

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 35mm f1.4L Lens, Canon FD 50 mm f1.4 SSC Lens

Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

A Series of Unfortunate Events (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 108 Minutes

Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn

Starring | Jim Carrey, Jude Law, Meryl Streep, Liam Aiken

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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