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Your Highness (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert

Starring | Danny McBride, Natalie Portman, James Franco, Rasmus Hardiker

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Nobody Knows (2004)

Motion Picture | 2D | Color | 141 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Yutaka Yamazaki | Editing by | Hirokazu Koreeda

Starring | Yûya Yagira, Ayu Kitaura, Hiei Kimura, Momoko Shimizu

Cameras | Aaton XTR Prod Camera

ParaNorman (2012)

Motion Picture | 3D | Color | 2.39:1 | 92 Minutes

Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie

Starring | Kodi Smit-McPhee, Anna Kendrick, Christopher Mintz-Plasse, Tucker Albrizzi

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

Hearat Shulayim (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin

Starring | Shlomo Bar-Aba, Lior Ashkenazi, Aliza Rosen, Alma Zack

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Canon Lenses, Cine Magic Cinewand Lenses, Zeiss Ultra Prime Lenses

American Splendor (2003)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini

Starring | Paul Giamatti, Shari Springer Berman, Harvey Pekar, Chris Ambrose

Cameras | Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Classic Spherical Lenses

Bellflower (2011)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Evan Glodell | Cinematography by | Joel Hodge | Editing by | Evan Glodell, Vincent Grashaw, Joel Hodge, Jonathan Keevil

Starring | Evan Glodell, Tyler Dawson, Jessie Wiseman, Rebekah Brandes

Cameras | Silicon Imaging SI-2K Camera

Lung joi gong woo (1998)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak

Starring | Andy Lau, Gigi Leung, Suki Kwan, Mark Cheng

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

Faubourg 36 (2008)

Motion Picture | 2D | 4K Project | Color | 2.20:1, 2.39:1 | 120 Minutes

Directed by | Christophe Barratier | Cinematography by | Tom Stern | Editing by | Yves Deschamps

Starring | Gérard Jugnot, Clovis Cornillac, Kad Merad, Nora Arnezeder

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

A Bronx Tale (1993)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Robert De Niro | Cinematography by | Reynaldo Villalobos | Editing by | Robert Q. Lovett, David Ray

Starring | Robert De Niro, Chazz Palminteri, Lillo Brancato, Francis Capra

Cameras | Panavision Cameras

Lenses | Panavision Lenses

OSS 117: Lost in Rio (2009)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Reynald Bertrand

Starring | Jean Dujardin, Louise Monot, Rüdiger Vogler, Alex Lutz

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Amadeus (1984)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 160 Minutes

Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic

Starring | F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Notes on a Scandal (2006)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Cate Blanchett, Judi Dench, Andrew Simpson, Tom Georgeson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Pina (2011)

Motion Picture | 3D | Color | 1.85:1 | 103 Minutes

Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer

Starring | Pina Bausch, Regina Advento, Malou Airaudo, Ruth Amarante

Cameras | Sony HDC-1500 Camera, Sony HDC-P1 Camera, Sony PMW-EX3 Camera

Lenses | Zeiss DigiPrime Lenses

After Midnight (1989)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Jim Wheat, Ken Wheat | Cinematography by | Phedon Papamichael | Editing by | Cari Coughlin, Phillip Linson, Quinnie Martin Jr.

Starring | Jillian McWhirter, Pamela Adlon, Ramy Zada, Judie Aronson

Cameras | ARRIFLEX Camera

Indiana Jones and the Last Crusade (1989)

Motion Picture | 2D | Color | 2.35:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Sean Connery, Alison Doody, Denholm Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The NeverEnding Story (1984)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz

Starring | Noah Hathaway, Barret Oliver, Tami Stronach, Gerald McRaney

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 III Camera, VistaVision Cameras

Lenses | Technovision Lenses

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