Black & White | 342 Titles
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt
Cameras | Red Epic Dragon Camera
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
Regret to Inform (1998)
Directed by | Barbara Sonneborn | Cinematography by | Emiko Omori, Daniel Reeves, Nancy Schiesari | Editing by | Lucy Massie Phenix, Ken Schneider
Lenny Bruce: Swear to Tell the Truth (1998)
Directed by | Robert B. Weide | Cinematography by | Biff Bracht | Editing by | Geof Bartz, Claire Scanlon, Robert B. Weide
The Last Days (1998)
Directed by | James Moll | Cinematography by | Harris Done | Editing by | James Moll
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Program (2015)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli
Cameras | Red Epic Camera
Life (1999)
Killing Joe (1999)
Buena Vista Social Club (1999)
Directed by | Wim Wenders | Cinematography by | Jörg Widmer | Editing by | Brian Johnson
Cameras | Sony Betacam (Unknown) Camera
One Day Crossing (2001)
Into the Arms of Strangers: Stories of the Kindertransport (2000)
Two Cars, One Night (2004)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Owen Ferrier-Kerr
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Zeiss Ultra Prime Lenses
7:35 de la mañana (2003)
Directed by | Nacho Vigalondo | Cinematography by | Jon D. Domínguez | Editing by | Javier Diaz Vega
Ryan (2004)
The Mutineer (2017)
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
Persepolis (2007)
To Here Knows When (2013)
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
The Desperate Hours (1955)
Directed by | William Wyler | Cinematography by | Lee Garmes | Editing by | Robert Swink
Cameras | VistaVision Cameras

















































