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Directed by | Will Gluck Cinematography by ~ Michael Grady Cameras | Sony PMW-F55 Camera |
Search Results: SONY F55 | 43 Titles
Annie (2014)
The Blacklist (2013)
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Cameras | Sony PMW-F55 Camera |
Dolphin Tale 2 (2014)
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Directed by | Charles Martin Smith Cinematography by ~ Daryn Okada Cameras | Sony PMW-F55 Camera Lenses | Panavision Primo Primes Spherical Lenses |
A Million Ways to Die in the West (2014)
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Directed by | Seth MacFarlane Cinematography by ~ Michael Barrett Cameras | Sony PMW-F55 Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Wedding Ringer (2015)
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Directed by | Jeremy Garelick Cinematography by ~ Bradford Lipson Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses |
Insidious: Chapter 3 (2015)
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Directed by | Leigh Whannell Cinematography by ~ Brian Pearson Cameras | Sony PMW-F55 Camera Lenses | Panavision Primo Anamorphic Lenses |
Tomorrowland (2015)
Think Like a Man Too (2014)
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Directed by | Tim Story Cinematography by ~ Christopher Duskin Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera Lenses | Panavision Super Speed Lenses |
Let’s Be Cops (2014)
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Directed by | Luke Greenfield Cinematography by ~ Daryn Okada Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera Lenses | Panavision Primo Primes Spherical Lenses |
The Homesman (2014)
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Directed by | Tommy Lee Jones Cinematography by ~ Rodrigo Prieto Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses |
Je vous souhaite d’être follement aimée (2015)
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Directed by | Ounie Lecomte Cinematography by ~ Caroline Champetier Cameras | Sony PMW-F55 Camera Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses |
Une enfance (2015)
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Directed by | Philippe Claudel Cinematography by ~ Denis Lenoir Cameras | Sony PMW-F55 Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens |
Journal d’une femme de chambre (2015)
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Directed by | Benoît Jacquot Cinematography by ~ Romain Winding Cameras | Sony PMW-F55 Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens |
Barbershop: The Next Cut (2016)
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Directed by | Malcolm D. Lee Cinematography by ~ Greg Gardiner Cameras | Sony PMW-F55 Camera Lenses | Panavision Primo Primes Spherical Lenses |
Gortimer Gibbon’s Life on Normal Street (2014)
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Cameras | Sony PMW-F55 Camera Lenses | Cooke S4 Lenses |
Ex Machina (2014)
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Directed by | Alex Garland Cinematography by ~ Rob Hardy Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses |
Vie sauvage (2014)
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Directed by | Cédric Kahn Cinematography by ~ Yves Cape Cameras | Sony PMW-F55 Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses |
