Search Results: ALEXA PLUS 4:3 | 266 Titles
3 Days to Kill (2014)
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Directed by | McG Cinematography by ~ Thierry Arbogast Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera Lenses | Technovision Lenses, Zeiss Super Speed Lenses |
Jason Bourne (2016)
Godzilla (2014)
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Directed by | Gareth Edwards Cinematography by ~ Seamus McGarvey Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses |
Teenage Mutant Ninja Turtles (2014)
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Directed by | Jonathan Liebesman Cinematography by ~ Lula Carvalho Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
Big Eyes (2014)
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Directed by | Tim Burton Cinematography by ~ Bruno Delbonnel Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera |
The Family (2013)
The Best Man Holiday (2013)
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Directed by | Malcolm D. Lee Cinematography by ~ Greg Gardiner Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
The Equalizer (2014)
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Directed by | Antoine Fuqua Cinematography by ~ Mauro Fiore Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
A Walk Among the Tombstones (2014)
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Directed by | Scott Frank Cinematography by ~ Mihai Malaimare Jr. Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses |
Thor: The Dark World (2013)
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Directed by | Alan Taylor Cinematography by ~ Kramer Morgenthau Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera Lenses | Panavision G Series Anamorphic Lenses |
The VVitch: A New-England Folktale (2015)
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Directed by | Robert Eggers Cinematography by ~ Jarin Blaschke Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses |
Winter’s Tale (2014)
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Directed by | Akiva Goldsman Cinematography by ~ Caleb Deschanel Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
Focus (2015)
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Directed by | Glenn Ficarra, John Requa Cinematography by ~ Xavier Grobet Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses |
Skyfall (2012)
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Directed by | Sam Mendes Cinematography by ~ Roger Deakins Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
The Theory of Everything (2014)
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Directed by | James Marsh Cinematography by ~ Benoît Delhomme Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses |
Rush (2013)
Ida (2013)
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Directed by | Pawel Pawlikowski Cinematography by ~ Ryszard Lenczewski, Lukasz Zal Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Zeiss Ultra Prime Lenses |
The Interview (2014)
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Directed by | Evan Goldberg, Seth Rogen Cinematography by ~ Brandon Trost Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses |
If I Stay (2014)
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Directed by | R.J. Cutler Cinematography by ~ John de Borman Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Hawk V-Lite Lenses |
