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Directed by | Arie Esiri, Chuko Esiri Cinematography by ~ Arseni Khachaturan Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses |
Search Results: 16SR3 | 36 Titles
This Is My Desire (2020)
The Counterfeiters (2007)
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Directed by | Stefan Ruzowitzky Cinematography by ~ Benedict Neuenfels Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, Moviecam Superlight Camera Lenses | Canon Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses |
Making Up! (1993)
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Directed by | Katja von Garnier Cinematography by ~ Torsten Breuer Cameras | ARRIFLEX 16SR3 Camera |
The Rum Diary (2011)
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Directed by | Bruce Robinson Cinematography by ~ Dariusz Wolski Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera Lenses | Zeiss Ultra Prime Lenses |
Unknown (2011)
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Directed by | Jaume Collet-Serra Cinematography by ~ Flavio Martínez Labiano Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
High Crimes (2002)
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Directed by | Carl Franklin Cinematography by ~ Theo van de Sande Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
Junebug (2005)
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Directed by | Phil Morrison Cinematography by ~ Peter Donahue Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera Lenses | Zeiss Super Speed Lenses |
Half Nelson (2006)
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Directed by | Ryan Fleck Cinematography by ~ Andrij Parekh Cameras | ARRIFLEX 16SR3 Camera Lenses | Canon Lenses, Zeiss Super Speed Lenses |
The Squid and the Whale (2005)
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Directed by | Noah Baumbach Cinematography by ~ Robert D. Yeoman Cameras | ARRIFLEX 16SR3 Camera Lenses | Zeiss Super Speed Lenses |
W.E. (2011)
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Directed by | Madonna Cinematography by ~ Hagen Bogdanski Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera Lenses | Zeiss Ultra Prime Lenses |
All My Friends Are Leaving Brisbane (2007)
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Directed by | Louise Alston Cinematography by ~ Judd Overton Cameras | ARRIFLEX 16SR3 Advanced Camera Lenses | Angenieux HR Zoom Lenses |
28 Weeks Later (2007)
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Directed by | Juan Carlos Fresnadillo Cinematography by ~ Enrique Chediak Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses |
YPF (2007)
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Directed by | Martin Gero Cinematography by ~ Arthur E. Cooper Cameras | ARRIFLEX 16SR3 Camera |
Beasts of the Southern Wild (2012)
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Directed by | Benh Zeitlin Cinematography by ~ Ben Richardson Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera Lenses | Zeiss Super Speed Lenses |
Hustle & Flow (2005)
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Directed by | Craig Brewer Cinematography by ~ Amy Vincent Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera Lenses | Zeiss Ultra Prime Lenses |
The Fast Life (2003)
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Directed by | Douglas Elford-Argent Cinematography by ~ William M. Miller Cameras | ARRIFLEX 16SR3 Advanced Camera Lenses | ARRI / Zeiss Lenses |
Adventures of Power (2008)
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Directed by | Ari Gold Cinematography by ~ Lisa Wiegand Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Advanced Camera Lenses | Zeiss Super Speed Lenses |
Dark Frontier (2009)
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Directed by | Kriv Stenders Cinematography by ~ Jules O'Loughlin Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera Lenses | Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses |
Wendy and Lucy (2008)
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Directed by | Kelly Reichardt Cinematography by ~ Sam Levy Cameras | ARRIFLEX 16SR3 Camera |
$lowdown (2011)
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Directed by | Saman Yaghmai-Aledavoud Cinematography by ~ Saman Yaghmai-Aledavoud Cameras | ARRIFLEX 16SR3 Advanced Camera Lenses | Zeiss Super Speed Lenses |
