The Foundry Nuke | 123 Titles
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
The Twilight Saga: Breaking Dawn – Part 1 (2011)
Sucker Punch (2011)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | Panavision Cameras
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
A Nightmare on Elm Street (2010)
Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
The Day the Earth Stood Still (2008)
Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman
Cameras | Panavision Cameras
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Journey 2: The Mysterious Island (2012)
Directed by | Brad Peyton | Cinematography by | David Tattersall | Editing by | David Rennie
Cameras | Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera
Robin Hood (2010)
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Nanny McPhee Returns (2010)
Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
Red Tails (2012)
Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Iron Man 2 (2010)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
