Native 3D | 49 Titles
Ambuli (2012)
Directed by | Haresh Narayan, K. Hari Shankar | Cinematography by | Sathish G. | Editing by | K. Hari Shankar
Cameras | Panasonic AG-3DA1 Camera
Lenses | Panasonic Lenses
Tomorrowland (2015)
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Dam999 (2011)
Rudhramadevi (2015)
Directed by | Gunasekhar | Cinematography by | Ajay Vincent | Editing by | A. Sreekar Prasad
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
Astérix and Obélix: God Save Britannia (2012)
Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA Camera
Pompeii (2014)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy
Cameras | Red Epic Camera
Stalingrad (2013)
Directed by | Fedor Bondarchuk | Cinematography by | Maksim Osadchiy-Korytkovskiy | Editing by | Igor Litoninskiy
Cameras | Red Epic Camera
The Legend of Hercules (2014)
Directed by | Renny Harlin | Cinematography by | Sam McCurdy | Editing by | Vincent Tabaillon
Cameras | Red Epic Camera
Concerto for the Earth (1992)
Directed by | Bayley Silleck | Cinematography by | Robin Vidgeon
Cameras | Cinema Products CP-65 Cameras
Cirque du Soleil: Worlds Away (2012)
Directed by | Andrew Adamson | Cinematography by | Brett Turnbull | Editing by | Sim Evan-Jones, Dirk Westervelt
Cameras | Sony HDC-1500 Camera
The Great Gatsby (2013)
Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Dawn of the Planet of the Apes (2014)
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA M Camera
Oz the Great and Powerful (2013)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Cameras | Red Epic Camera
Nurse 3D (2013)
Directed by | Douglas Aarniokoski | Cinematography by | Boris Mojsovski | Editing by | Andrew Coutts
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Hobbit: The Desolation of Smaug (2013)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | GoPro HD Hero3 Camera, Red Epic Camera
Lenses | Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Bhoot Returns (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Aditya Joshi, Sunil Wadhwani
Cameras | GoPro HD Hero2 Camera, Sony Cameras
Texas Chainsaw 3D (2013)
Directed by | John Luessenhop | Cinematography by | Anastas N. Michos | Editing by | Randy Bricker
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Silent Hill: Revelation 3D (2012)
Directed by | M.J. Bassett | Cinematography by | Maxime Alexandre | Editing by | Michele Conroy
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Julia X (2011)
Directed by | P.J. Pettiette | Cinematography by | Jason Goodman | Editing by | Rob Neal
Cameras | Red One Camera