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Resurrection (1980)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Daniel Petrie | Cinematography by | Mario Tosi | Editing by | Rita Roland

Starring | Ellen Burstyn, Sam Shepard, Richard Farnsworth, Roberts Blossom

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

That Obscure Object of Desire (1977)

Motion Picture | 2D | Color | 1.66:1 | 103 Minutes

That Obscure Object of Desire | ShotOnWhat?

Directed by | Luis Buñuel | Cinematography by | Edmond Richard | Editing by | Hélène Plemiannikov

Starring | Fernando Rey, Carole Bouquet, Ángela Molina, Julien Bertheau

Cameras | Panavision Cameras

The Mirror (1975)

Motion Picture | 2D | Black and White, Color | 1.37:1 | 107 Minutes

The Mirror | ShotOnWhat?

Directed by | Andrei Tarkovsky | Cinematography by | Georgi Rerberg | Editing by | Lyudmila Feyginova

Starring | Margarita Terekhova, Filipp Yankovskiy, Ignat Daniltsev, Oleg Yankovskiy

Cameras | ARRI Cameras, Mitchell BNCR Camera

Cheech and Chong’s Next Movie (1980)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Cheech and Chong’s Next Movie | ShotOnWhat?

Directed by | Tommy Chong | Cinematography by | King Baggot, Nick McLean | Editing by | Thomas K. Avildsen, Scott Conrad

Starring | Cheech Marin, Tommy Chong, Evelyn Guerrero, Betty Kennedy

Cameras | Panavision Cameras

Strange Masquerade (1976)

Motion Picture | 2D | Color | 89 Minutes

Strange Masquerade | ShotOnWhat?

Directed by | Pál Sándor | Cinematography by | Elemér Ragályi | Editing by | Éva Kármentõ

Starring | Margit Dajka, Irma Patkós, Carla Romanelli, Dezsö Garas

Cameras | ARRI Cameras

The Devil, Probably (1977)

Motion Picture | 2D | Color | 1.37:1, 1.66:1 | 95 Minutes

The Devil, Probably | ShotOnWhat?

Directed by | Robert Bresson | Cinematography by | Pasqualino De Santis | Editing by | Germaine Artus

Starring | Antoine Monnier, Tina Irissari, Henri de Maublanc, Laetitia Carcano

A Winner Never Quits (1986)

Television Movie | 2D | Color | 1.33:1 (4x3) | 105 Minutes

A Winner Never Quits | ShotOnWhat?

Directed by | Mel Damski | Cinematography by | Joseph F. Biroc | Editing by | Michael A. Stevenson

Starring | Keith Carradine, Mare Winningham, G.W. Bailey, Dennis Weaver

Cameras | ARRI Cameras

The Girl in the Red Velvet Swing (1955)

Motion Picture | 2D | Color | 2.55:1 | 109 Minutes

The Girl in the Red Velvet Swing | ShotOnWhat?

Directed by | Richard Fleischer | Cinematography by | Milton R. Krasner | Editing by | William Mace

Starring | Ray Milland, Joan Collins, Farley Granger, Luther Adler

The Osterman Weekend (1983)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

The Osterman Weekend | ShotOnWhat?

Directed by | Sam Peckinpah | Cinematography by | John Coquillon | Editing by | Edward M. Abroms, David Rawlins

Starring | Rutger Hauer, John Hurt, Craig T. Nelson, Dennis Hopper

Cameras | Panavision Cameras

The Purple Taxi (1977)

Motion Picture | 2D | Color | 107 Minutes

The Purple Taxi | ShotOnWhat?

Directed by | Yves Boisset | Cinematography by | Tonino Delli Colli | Editing by | Albert Jurgenson

Starring | Charlotte Rampling, Philippe Noiret, Peter Ustinov, Fred Astaire

Louisiana Story (1948)

Motion Picture | 2D | Black and White | 1.37:1 | 78 Minutes

Louisiana Story | ShotOnWhat?

Directed by | Robert J. Flaherty | Cinematography by | Richard Leacock | Editing by | Helen van Dongen

Starring | Joseph Boudreaux, Lionel Le Blanc, E. Bienvenu, Frank Hardy

Cameras | ARRI Cameras

Inside the Third Reich (1982)

Television Movie | 2D | Black and White, Color | 1.33:1 (4x3) | 240 Minutes

Inside the Third Reich | ShotOnWhat?

Directed by | Marvin J. Chomsky | Cinematography by | Tony Imi | Editing by | Richard Belding, Les Green, James T. Heckert

Starring | Rutger Hauer, John Gielgud, Maria Schell, Blythe Danner

Cameras | Panavision Cameras

Sweet Bird of Youth (1962)

Motion Picture | 2D | Color | 2.35:1 | 120 Minutes

Sweet Bird of Youth | ShotOnWhat?

Directed by | Richard Brooks | Cinematography by | Milton R. Krasner | Editing by | Henry Berman

Starring | Paul Newman, Geraldine Page, Shirley Knight, Ed Begley

Capricorn One (1977)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 123 Minutes

Capricorn One | ShotOnWhat?

Directed by | Peter Hyams | Cinematography by | Bill Butler | Editing by | James Mitchell

Starring | Elliott Gould, James Brolin, Brenda Vaccaro, Sam Waterston

Cameras | Panavision Cameras

The Day After (1983)

Television Movie | 2D | Color | 1.33:1 (4x3), 1.37:1, 1.78:1 (16x9) | 127 Minutes

The Day After | ShotOnWhat?

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch, Robert Florio

Starring | Jason Robards, JoBeth Williams, Steve Guttenberg, John Cullum

Cameras | Panavision Cameras

Magic (1978)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Magic | ShotOnWhat?

Directed by | Richard Attenborough | Cinematography by | Victor J. Kemper | Editing by | John Bloom

Starring | Anthony Hopkins, Ann-Margret, Burgess Meredith, Ed Lauter

Cameras | Panavision Cameras

Class (1983)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Class | ShotOnWhat?

Directed by | Lewis John Carlino | Cinematography by | Ric Waite | Editing by | Dennis Dolan, Stuart H. Pappé

Starring | Jacqueline Bisset, Rob Lowe, Andrew McCarthy, Cliff Robertson

Cameras | Panavision Cameras

The Big Sleep (1978)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

The Big Sleep | ShotOnWhat?

Directed by | Michael Winner | Cinematography by | Robert Paynter

Starring | Robert Mitchum, Sarah Miles, Richard Boone, Candy Clark

Cameras | Panavision Cameras

The Capture of Bigfoot (1979)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

The Capture of Bigfoot | ShotOnWhat?

Directed by | Bill Rebane | Editing by | Douglas Ibold, Bill Rebane

Starring | Janus Raudkivi, Randolph Rebane, Stafford Morgan, Katie Hopkins Zerby

Cameras | Panavision Cameras

Everybody’s Baby: The Rescue of Jessica McClure (1989)

Television Movie | 2D | Color | 1.33:1 (4x3) | 100 Minutes

Everybody’s Baby: The Rescue of Jessica McClure | ShotOnWhat?

Directed by | Mel Damski | Cinematography by | Shelly Johnson | Editing by | Ron Binkowski

Starring | Beau Bridges, Pat Hingle, Roxana Zal, Will Oldham

Cameras | Panavision Cameras

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