DTS | 1178 Titles
Why Did I Get Married Too? (2010)
X-Men (2000)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Made of Honor (2008)
Directed by | Paul Weiland | Cinematography by | Tony Pierce-Roberts | Editing by | Richard Marks
Cameras | Panavision Cameras
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
The Grey (2011)
Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
DragonHeart (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
The Book of Eli (2010)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Don Burgess | Editing by | Cindy Mollo
Cameras | Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
The A-Team (2010)
Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
All About Steve (2009)
Directed by | Phil Traill | Cinematography by | Tim Suhrstedt | Editing by | Rod Dean, Virginia Katz
Cameras | Panavision Cameras
Vampires Suck (2010)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Cameras | Moviecam Compact Camera
The Cold Light of Day (2012)
Directed by | Mabrouk El Mechri | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Cameras | ARRIFLEX 435 Camera
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Rainmaker (1997)
Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Melissa Kent, Barry Malkin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gran Torino (2008)
Evita (1996)
Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke Xtal Express Lenses
