Dolby | 2781 Titles
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Explorers (1985)
Directed by | Joe Dante | Cinematography by | John Hora | Editing by | Tina Hirsch
Cameras | Panavision Cameras
Lock, Stock and Two Smoking Barrels (1998)
Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie
Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Unrest (2006)
Directed by | Jason Todd Ipson | Cinematography by | Michael Fimognari | Editing by | Mike Saenz
Cameras | Panavision Cameras
Pacific Heights (1990)
Directed by | John Schlesinger | Cinematography by | Amir Mokri | Editing by | Steven Ramirez, Mark Warner
Cameras | ARRI Cameras
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Curly Sue (1991)
Directed by | John Hughes | Cinematography by | Jeffrey L. Kimball | Editing by | Peck Prior, Harvey Rosenstock
Cameras | Panavision Cameras
The Master of Disguise (2002)
Directed by | Perry Andelin Blake | Cinematography by | Peter Lyons Collister | Editing by | Peck Prior, Sandy S. Solowitz
Cameras | Panavision Cameras
Holiday Heart (2000)
Directed by | Robert Townsend | Cinematography by | Jan Kiesser | Editing by | Sabrina Plisco
Cameras | Panavision Cameras
Exam (2009)
Directed by | Stuart Hazeldine | Cinematography by | Tim Wooster | Editing by | Mark Talbot-Butler
Cameras | Panavision Cameras
Mighty Aphrodite (1995)
Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse
Cameras | Panavision Cameras
The Flintstones (1994)
Directed by | Brian Levant | Cinematography by | Dean Cundey | Editing by | Kent Beyda
Cameras | Panavision Cameras
Nobody’s Fool (1994)
Directed by | Robert Benton | Cinematography by | John Bailey | Editing by | John Bloom
Cameras | ARRI Cameras
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Like Crazy (2011)
Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts
Cameras | Canon EOS-7D Camera
Lenses | Zeiss Ultra Prime Lenses
What Planet Are You From? (2000)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Richard Marks
Cameras | Panavision Cameras
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Saturday Night Fever (1977)
Directed by | John Badham | Cinematography by | Ralf D. Bode | Editing by | David Rawlins
Cameras | Panavision Cameras
Casper (1995)
Directed by | Brad Silberling | Cinematography by | Dean Cundey | Editing by | Michael Kahn
Cameras | Panavision Cameras
Loggerheads (2005)
Directed by | Tim Kirkman | Cinematography by | Oliver Bokelberg | Editing by | Caitlin Dixon
Cameras | ARRI Cameras