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Dolby Digital | 2207 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Starship Troopers (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 129 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross

Starring | Casper Van Dien, Denise Richards, Dina Meyer, Jake Busey

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Lenses

Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

The Passion of the Christ (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright

Starring | Jim Caviezel, Monica Bellucci, Maia Morgenstern, Christo Jivkov

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Unbreakable (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor

Starring | Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Amélie (2001)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 122 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Mathieu Kassovitz, Rufus

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses | Zeiss Ultra Prime Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Deer Hunter (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 183 Minutes

Directed by | Michael Cimino | Cinematography by | Vilmos Zsigmond | Editing by | Peter Zinner

Starring | Robert De Niro, Christopher Walken, John Cazale

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

Zoolander (2001)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 90 Minutes

Directed by | Ben Stiller | Cinematography by | Barry Peterson | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Christine Taylor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man: Across the Spider-Verse (2023)

Motion Picture | 2D | 2K Project | Color | 2.39:1, 2.55:1 | 140 Minutes

Directed by | Joaquim Dos Santos, Kemp Powers, Justin K. Thompson | Editing by | Mike Andrews

Starring | Shameik Moore, Hailee Steinfeld, Brian Tyree Henry

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Robot Dreams (2023)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Pablo Berger | Editing by | Fernando Franco

Starring | Ivan Labanda, Tito Trifol, Rafa Calvo

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Napoleon (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson

Starring | Joaquin Phoenix, Vanessa Kirby, Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Lenses, Panavision Lenses

Rustin (2023)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein

Starring | Colman Domingo, Chris Rock, Glynn Turman

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Rental DNA LF Lenses

The Grand Budapest Hotel (2014)

Motion Picture | 2D | 2K Project | Color | 1.37:1, 1.85:1, 2.39:1 | 99 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling

Starring | Ralph Fiennes, F. Murray Abraham, Mathieu Amalric

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Episodes (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans

Starring | Matt LeBlanc, Stephen Mangan, Tamsin Greig

Cameras | ARRI ALEXA Camera

Falling Down (1993)

Motion Picture | 2D | Film Project | Color | 113 Minutes

Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Paul Hirsch

Starring | Michael Douglas, Robert Duvall, Barbara Hershey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldana

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

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