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Outdoor | 527 Titles

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The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

1 Out of 7 (2011)

Movie | 2D | Film Project | Color | 90 Minutes

Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas

Starring | Laura Ramsey, Toby Hemingway, Vivica A. Fox

Cameras | ARRIFLEX 235 Camera

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

A:D (2005)

Short Film | 2D | SD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef

Starring | Owen Callaghan, John Collins, Clodagh Downing, Michael Glynn

Cameras | Sony DCR-VX2000 Camera

Lenses | Sony Lenses

Lupin (2021)

Television Series | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

Fay Grim (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 118 Minutes

Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley

Starring | Parker Posey, Jeff Goldblum, Liam Aiken

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

Funny Games (1997)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michael Haneke | Cinematography by | Jürgen Jürges | Editing by | Andreas Prochaska

Starring | Susanne Lothar, Ulrich Mühe, Arno Frisch

Cameras | Moviecam Cameras

Towards the light (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 20 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Uliya Abrosimova, Mariya Gavrilova, Jane Karlina

Cameras | Sony α7 Series Cameras

The Last Temptation of Christ (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 164 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Willem Dafoe, Harvey Keitel, Barbara Hershey, Paul Greco

Cameras | ARRIFLEX Camera

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Unbreakable (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor

Starring | Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Pavilion (2022)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Eveshka Ghost

Starring | Tim van den Berg, Pip Rose, James McClusky

Cameras | Sony HXR-MC2500 Camera

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Sunset Blvd. (1950)

Motion Picture | 2D | Film Project | Black & White | 110 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz | Editing by | Arthur P. Schmidt

Starring | William Holden, Gloria Swanson, Erich von Stroheim

Cameras | Mitchell BNC Camera

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D | 2K Project | Color | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem, Orlando Bloom

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Primo Digital Lenses

Ben-Hur: A Tale of the Christ (1925)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 143 Minutes

Directed by | Fred Niblo, Charles Brabin, Christy Cabanne, J.J. Cohn, Rex Ingram | Cinematography by | Clyde De Vinna, René Guissart, Percy Hilburn, Karl Struss, Paul Kerschner | Editing by | Lloyd Nosler

Starring | Ramon Novarro, Francis X. Bushman, May McAvoy

Cameras | Akeley 35mm Ciné Camera, Bell & Howell 2709 Camera, Mitchell Standard Camera

Kandahar (2023)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Ric Roman Waugh | Cinematography by | MacGregor | Editing by | Colby Parker Jr.

Starring | Tom Rhys Harries, Farhad Bagheri, Gerard Butler

Cameras | ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses | Panavision E Series Anamorphic Lenses, Vazen Lenses

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

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