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New Orleans | 28 Titles

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Seeking Justice (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | Roger Donaldson | Cinematography by | David Tattersall | Editing by | Jay Cassidy

Starring | Nicolas Cage, January Jones, Guy Pearce

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Lay the Favorite (2012)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 94 Minutes

Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley

Starring | Rebecca Hall, Bruce Willis, Vince Vaughn

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Semper Fi (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta

Starring | Jai Courtney, Nat Wolff, Finn Wittrock

Cameras | Red Monstro 8K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

JFK (1991)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 189 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia

Starring | Kevin Costner, Gary Oldman, Jack Lemmon, Walter Matthau

Cameras | ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses | Panavision E35 35 mm T2.0 Lens

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.35:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

American Horror Story (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

The Big Short (2015)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin

Starring | Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Maggie (2015)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Henry Hobson | Cinematography by | Lukas Ettlin | Editing by | Jane Rizzo

Starring | Arnold Schwarzenegger, Abigail Breslin, Joely Richardson, Laura Cayouette

Cameras | ARRI ALEXA Camera, Blackmagic Design Cameras, Red Epic Camera

Jurassic World (2015)

Motion Picture | 3D | Color | 2.0:1 | 124 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Judy Greer

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Get Hard (2015)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale

Starring | Will Ferrell, Kevin Hart, Alison Brie, T.I.

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

RED (2010)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble

Starring | Bruce Willis, Helen Mirren, Morgan Freeman, Mary-Louise Parker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

A Streetcar Named Desire (1951)

Motion Picture | 2D | Black & White | 122 Minutes

Directed by | Elia Kazan | Cinematography by | Harry Stradling Sr. | Editing by | David Weisbart

Starring | Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden

Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

12 Years a Slave (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Chiwetel Ejiofor, Michael Kenneth Williams, Michael Fassbender, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Homefront (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Gary Fleder | Cinematography by | Theo van de Sande | Editing by | Padraic McKinley

Starring | Jason Statham, James Franco, Winona Ryder, Kate Bosworth

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Ender’s Game (2013)

Motion Picture | 3D | Color | 114 Minutes

Ender’s Game | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Lee Smith, Zach Staenberg

Starring | Harrison Ford, Asa Butterfield, Hailee Steinfeld, Abigail Breslin

Cameras | Red Epic Camera

Escape Plan (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg

Starring | Sylvester Stallone, Arnold Schwarzenegger, Vincent D'Onofrio

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

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