Canada | 210 Titles
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North America
Mean Girls (2004)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Turning Red (2022)
Directed by | Domee Shi | Cinematography by | Mahyar Abousaeedi, Jonathan Pytko | Editing by | Steve Bloom, Nicholas C. Smith
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Le militaire (2014)
Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski
Cameras | Aaton XTR Prod Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Beau Is Afraid (2023)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston
Cameras | Sony CineAlta VENICE Camera
Interstellar (2014)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Dream House (2011)
Directed by | Jim Sheridan | Cinematography by | Caleb Deschanel | Editing by | Glen Scantlebury, Barbara Tulliver
Lenses | Panavision Primo Anamorphic Lenses
Snake Eyes (1998)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow
Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Troubling Youth (2019)
Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi
Cameras | Nikon Cameras
Lenses | Nikon - Nikkor Lenses
Scattered (2020)
Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis
Cameras | Red Epic Camera
Pete Winning and the Pirates (2015)
Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis
Psycho Wedding Crasher (2017)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Deadly Match (2019)
Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon
Cameras | Red Digital Cinema Cameras
Cheer Squad Secrets (2020)
Directed by | David Langlois | Cinematography by | Andy Hodgson | Editing by | Emerson Hill
Cameras | Red Epic Dragon Camera
Lenses | Sigma Lenses
Resident Evil: Welcome to Raccoon City (2021)
Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh
Lenses | Hawk V-Lite Lenses
A Mother’s Fury (2021)
Directed by | David Langlois | Cinematography by | Maximilian Brey | Editing by | David Legault
Cameras | Red Digital Cinema Cameras
Lenses | Sigma Lenses
Mr. Nobody (2009)
Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
Kick-Ass 2 (2013)
The Queen’s Gambit (2020)
| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro
Cameras | Red Monstro 8K Camera
Lenses | Zeiss Supreme Prime Series Lenses
Sonic the Hedgehog 2 (2022)
Directed by | Jeff Fowler | Cinematography by | Brandon Trost | Editing by | Jim May
Cameras | ARRI ALEXA Mini LF Camera
