California | 716 Titles
Double Indemnity (1944)
Elemental (2023)
Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer
To Leslie (2022)
Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb
Cameras | ARRICAM Lite (LT) Camera
The Maltese Falcon (1941)
Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards
Cameras | Mitchell BNC Camera
The Fabelmans (2022)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera
Turning Red (2022)
Directed by | Domee Shi | Cinematography by | Mahyar Abousaeedi, Jonathan Pytko | Editing by | Steve Bloom, Nicholas C. Smith
Everything Everywhere All at Once (2022) 
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Babylon (2022)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses
The Creator (2023)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker
Cameras | Sony ILME-FX3 Camera
Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)
Oppenheimer (2023)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame
Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Barbie (2023)
Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Lenses, Panavision System 65 Lenses
Friends (1994)
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Journey (2002)
Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness
Cameras | Sony HDW-F900 Camera
Castle (2009)
| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith
Pulp Fiction (1994)
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Avatar (2009)
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
Starship Troopers (1997)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross
Lenses | Zeiss Lenses
Die Hard (1988)
Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste
Cameras | Panavision Panaflex Gold Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Sunset Blvd. (1950)
Directed by | Billy Wilder | Cinematography by | John F. Seitz | Editing by | Arthur P. Schmidt
Cameras | Mitchell BNC Camera
Nyad (2023)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen
Lenses | Fujinon Lenses, Zeiss Master Prime Lenses
