On Set Pre-Viz | 40 Titles
Arc de Barà (2016)
Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos
Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black
Live Free or Die Hard (2007)
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Immortals (2011)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom
Cameras | Panavision Genesis Camera, Phantom HD Gold Camera
Il ragazzo invisibile: Fratelli (2018)
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione
Cameras | ARRI ALEXA XT Camera
Thor (2011)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Knights of the Roundtable: King Arthur (2017)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Camera
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
The Twilight Saga: Breaking Dawn – Part 1 (2011)
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Postcards from the Future (2007)
Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley
Cameras | Dalsa Origin Camera
The Happening (2008)
Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Yogi Bear (2010)
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
