On Set Coloring | 73 Titles
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
The Twilight Saga: Breaking Dawn – Part 1 (2011)
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Outpost: Black Sun (2012)
Directed by | Steve Barker | Cinematography by | Darran Tiernan | Editing by | Bill Gill, Chris Gill
Cameras | ARRI ALEXA Camera
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Looper (2012)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
The Spiderwick Chronicles (2008)
Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn
Lenses | Panavision Primo Anamorphic Lenses
Mlyn i krzyz (2011)
Directed by | Lech Majewski | Cinematography by | Lech Majewski, Adam Sikora | Editing by | Lech Majewski, Norbert Rudzik
Cameras | Red One Camera
Alvin and the Chipmunks: Chipwrecked (2011)
The Three Musketeers (2011)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Alexander Berner, Claus Wehlisch
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Coraline (2009)
Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders
Anna Karenina (2012)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Smurfs (2011)
Directed by | Raja Gosnell | Cinematography by | Phil Meheux | Editing by | Ellier Dov, Sabrina Plisco
Cameras | Panavision Genesis Camera
