Zeiss Lenses | 171 Titles
Deadwood: The Movie (2019)
Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
The Curious Case of Benjamin Button (2008)
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall
Lenses | Zeiss DigiPrime Lenses
The Resident (2018)
| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Tailgate (2015)
Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster
Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
Allt sem fer upp (2018)
Directed by | Kristján Jónsson | Cinematography by | Kristján Jónsson | Editing by | Kristján Jónsson
Starring | Katrín Björg Hjálmarsdóttir, Sigurjón Jónsson, Magnus E. Halldorsson, Kristín Ísold Jóhannesdóttir
Lenses | Zeiss Lenses
Altered Carbon (2018)
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
Pickings (2018)
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan
Red Son (2016)
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
Manx Meister (2010)
Star Trek Beyond (2016)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Rock N Love (2015)
The Father and the Bear (2016)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
The Mutineer (2017)
Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens
The Visitor (2007)
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
Cameras | ARRICAM Lite (LT) Camera
Steve Jobs (2015)
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Hard Core Logo (1996)
Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses, Zeiss Zoom Lenses
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
Filly Brown (2012)
Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara
Cameras | Red One MX Camera
Lenses | Zeiss Lenses