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Panavision Lenses | 1192 Titles

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Coeurs (2006)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Alain Resnais | Cinematography by | Eric Gautier | Editing by | Hervé de Luze, Issac Solemon

Starring | Sabine Azéma, Isabelle Carré, Laura Morante, Pierre Arditi

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision E Series Anamorphic Lenses

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Don’t Tell (2005)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Cristina Comencini | Cinematography by | Fabio Cianchetti | Editing by | Cecilia Zanuso

Starring | Giovanna Mezzogiorno, Luigi Lo Cascio, Alessio Boni, Stefania Rocca

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Steal Big Steal Little (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Andrew Davis | Cinematography by | Frank Tidy | Editing by | Don Brochu, Tina Hirsch

Starring | Andy Garcia, Alan Arkin, Rachel Ticotin, Joe Pantoliano

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Alien: Resurrection (1997)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Darius Khondji | Editing by | Hervé Schneid

Starring | Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

China Strike Force (2000)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Stanley Tong | Cinematography by | Jeffrey C. Mygatt | Editing by | Pietro Cecchini, Chi Wai Yau

Starring | Aaron Kwok, Norika Fujiwara, Leehom Wang, Ruby Lin

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sweet and Lowdown (1999)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Woody Allen | Cinematography by | Fei Zhao | Editing by | Alisa Lepselter

Starring | Sean Penn, Samantha Morton, Woody Allen, Ben Duncan

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Shanghai (2010)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent

Starring | John Cusack, Li Gong, Yun-Fat Chow, David Morse

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dumb & Dumber (1994)

Motion Picture | 2D | Color | 107 Minutes

Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury

Starring | Jim Carrey, Jeff Daniels, Lauren Holly, Mike Starr

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Stepfather (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

The Stepfather | ShotOnWhat?

Directed by | Nelson McCormick | Cinematography by | Patrick Cady | Editing by | Eric L. Beason

Starring | Penn Badgley, Dylan Walsh, Sela Ward, Amber Heard

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

10,000 Black Men Named George (2002)

Television Movie | 2D | Color | 95 Minutes

Directed by | Robert Townsend | Cinematography by | Edward J. Pei | Editing by | Katina Zinner, Peter Zinner

Starring | Andre Braugher, Charles S. Dutton, Mario Van Peebles, Brock Peters

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 143 Minutes

Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May

Starring | Tilda Swinton, Georgie Henley, William Moseley, Skandar Keynes

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Ghastly Love of Johnny X (2012)

Motion Picture | 2D | Black and White | 2.39:1 | 106 Minutes

The Ghastly Love of Johnny X | ShotOnWhat?

Directed by | Paul Bunnell | Cinematography by | Francisco Bulgarelli | Editing by | Russell Harnden III

Starring | Will Keenan, Creed Bratton, De Anna Joy Brooks, Reggie Bannister

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

From Hell (2001)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

From Hell | ShotOnWhat?

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental

Starring | Johnny Depp, Heather Graham, Ian Holm, Robbie Coltrane

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Beneath the Darkness (2011)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Martin Guigui | Cinematography by | Massimo Zeri | Editing by | Eric Potter

Starring | Dennis Quaid, Tony Oller, Aimee Teegarden, Stephen Ford

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

All the Pretty Horses (2000)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

All the Pretty Horses | ShotOnWhat?

Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke

Starring | Matt Damon, Penélope Cruz, Henry Thomas, Angelina Torres

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Die Another Day (2002)

Motion Picture | 2D | Color | 2.39:1 | 133 Minutes

Directed by | Lee Tamahori | Cinematography by | David Tattersall | Editing by | Andrew MacRitchie, Christian Wagner

Starring | Pierce Brosnan, Halle Berry, Rosamund Pike, Toby Stephens

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Two Brothers (2004)

Motion Picture | 2D | Color | 109 Minutes

Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Noëlle Boisson

Starring | Guy Pearce, Freddie Highmore, Jean-Claude Dreyfus, Oanh Nguyen

Cameras | ARRIFLEX 435 Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Classic Spherical Lenses

The Other Guys (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 107 Minutes

The Other Guys | ShotOnWhat?

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, Mark Wahlberg, Derek Jeter, Eva Mendes

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Odd Life of Timothy Green (2012)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

The Odd Life of Timothy Green | ShotOnWhat?

Directed by | Peter Hedges | Cinematography by | John Toll | Editing by | Andrew Mondshein

Starring | Jennifer Garner, Joel Edgerton, CJ Adams, Odeya Rush

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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