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Hawk Anamorphic Lenses | 100 Titles

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Anthropoid (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler

Starring | Jamie Dornan, Cillian Murphy, Brian Caspe, Karel Hermánek Jr.

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Mal de pierres (2016)

Motion Picture | 2D | 6K Project | Color | 2.39:1 | 120 Minutes

Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet

Starring | Marion Cotillard, Alex Brendemühl, Louis Garrel, Brigitte Roüan

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

Eddie the Eagle (2015)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walsh

Starring | Taron Egerton, Hugh Jackman, Tom Costello, Jo Hartley

Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Keanu (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Peter Atencio | Cinematography by | Jas Shelton | Editing by | Nicholas Monsour

Starring | Keegan-Michael Key, Jordan Peele, Tiffany Haddish, Method Man

Cameras | ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Trois souvenirs de ma jeunesse (2015)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Arnaud Desplechin | Cinematography by | Irina Lubtchansky | Editing by | Laurence Briaud

Starring | Quentin Dolmaire, Lou Roy-Lecollinet, Mathieu Amalric, Dinara Drukarova

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Magic Mike XXL (2015)

Motion Picture | 2D | 4K Project | Color | 115 Minutes

Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | Channing Tatum, Joe Manganiello, Matt Bomer, Adam Rodriguez

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Taken 3 (2014)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz

Starring | Liam Neeson, Forest Whitaker, Maggie Grace, Famke Janssen

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

A Monster Calls (2016)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Jaume Martí, Bernat Vilaplana

Starring | Lewis MacDougall, Sigourney Weaver, Felicity Jones, Toby Kebbell

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Out of the Dark (2014)

Motion Picture | 2D | 2K Project | Color | 92 Minutes

Directed by | Lluís Quílez | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana

Starring | Julia Stiles, Scott Speedman, Stephen Rea, Pixie Davies

Cameras | ARRI ALEXA Studio Camera

Lenses | Hawk C-Series Lenses, Hawk V-Plus Lenses, Kowa Cine Prominar Spherical Lenses

Theeb (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd

Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Dark Horse (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts

Starring | Cliff Curtis, James Rolleston, Kirk Torrance, James Napier Robertson

Cameras | Sony CineAlta F65 Camera

Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses

The Best of Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse

Starring | James Marsden, Michelle Monaghan, Luke Bracey, Liana Liberato

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

Big Game (2014)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Jalmari Helander | Cinematography by | Mika Orasmaa | Editing by | Iikka Hesse

Starring | Samuel L. Jackson, Onni Tommila, Ray Stevenson, Victor Garber

Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera

Lenses | Hawk Anamorphic Lenses

Yves Saint Laurent (2014)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Jalil Lespert | Cinematography by | Thomas Hardmeier | Editing by | François Gédigier

Starring | Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Kelly & Cal (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper

Starring | Juliette Lewis, Jonny Weston, Josh Hopkins, Cybill Shepherd

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk V-Series Lenses

Kingsman: The Secret Service (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris

Starring | Colin Firth, Taron Egerton, Samuel L. Jackson, Michael Caine

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

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