Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Cooke S4 Lenses | 316 Titles
Phone: +1 (0)116 264 0700 UK / +1 973 335 4460 USA
Contact: Alison Green
Specs
Introduced: 1998
Cooke S4, T2.0 Primes became S4/i lenses in 2005 when Cooke /i Technology for metadata capture was incorporated from that date forward. Cooke S4 and S4/i lenses are visually the same. The only change is the upgrade to allow digital connectivity for recording metadata frame-by-frame. See list of /i Technology Partners at cookeoptics.com for compatible products saving you time and money during production through post. Note: lens image shown is S4/i lens with /i Technology connector near base.
Friends with Kids (2011)
Directed by | Jennifer Westfeldt | Cinematography by | William Rexer | Editing by | Tara Timpone
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by | Betty Thomas | Cinematography by | Anthony B. Richmond | Editing by | Matt Friedman
Lenses | Cooke S4 Lenses
Centurion (2010)
Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Illusionist (2006)
Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Max Payne (2008)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras | ARRIFLEX 435 Camera, Phantom HD Camera
Lenses | Cooke S4 Lenses
Adam Resurrected (2008)
OSS 117: Lost in Rio (2009)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Reynald Bertrand
Notes on a Scandal (2006)
Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen
Lenses | Cooke S4 Lenses
Stranger Than Fiction (2006)
St George’s Day (2012)
Directed by | Frank Harper | Cinematography by | Mike Southon | Editing by | Nick McCahearty
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Agent Crush (2008)
Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Troy (2004)
Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess
Lenses | Cooke S4 Lenses
A Dangerous Method (2011)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Cooke S4 Lenses
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Beneath Hill 60 (2010)
La délicatesse (2011)
Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant
Cameras | Aaton Penelope Camera
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
U-571 (2000)
Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses
