Angenieux Optimo Zoom Lenses | 635 Titles
Les chevaliers du ciel (2005)
Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange
Lenses | Angenieux Optimo Zoom Lenses
12 Years a Slave (2013) 
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
On the Ropes (1999)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | Brett Morgen | Editing by | Nancy Baker, Nanette Burstein
Trade of Innocents (2012)
Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Homefront (2013)
Directed by | Gary Fleder | Cinematography by | Theo van de Sande | Editing by | Padraic McKinley
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Community (2009)
| Cinematography by | Gary Hatfield, James Hawkinson, Buzz Feitshans IV, Jon Tucker, Michael A. Price | Editing by | Peter B. Ellis, Ruthie Aslan, Steven Sprung, Christian Kinnard, Jeff Hall, John Peter Bernardo, Jeff Groth, Lisa Lassek, Joel Goodman, Spencer Houck, William Marrinson, Jim Towne, Garret Elkins, Larry Bock, Jeffrey M. Werner, Luke Guidici
Cameras | ARRIFLEX D-21 Camera
The Counselor (2013)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | Red Epic Camera
The Chicago Code (2011)
| Cinematography by | Rohn Schmidt, M. David Mullen | Editing by | Jordan Goldman, David Kaldor, Rick Tuber, Dody Dorn, Dorian Harris
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
No Ordinary Family (2010)
| Cinematography by | Oliver Bokelberg, Joaquin Sedillo, David Boyd | Editing by | Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Ain’t Them Bodies Saints (2013)
Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
Treme (2010)
| Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
