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Angenieux Optimo 24-290 mm T2.8 Lens | 166 Titles

Angenieux Optimo 24-290 mm T2.8 Lens 3.33/5 9 Votes

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Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

La grande boucle (2013)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Laurent Tuel | Cinematography by | Gilles Porte | Editing by | Antoine Vareille

Starring | Clovis Cornillac, Bouli Lanners, Ary Abittan, Bruno Lochet

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Max (2013)

Short Film | 2D | Color | 27 Minutes

Directed by | Roman Wyden | Cinematography by | Zach Voytas | Editing by | Nik Voytas

Starring | Steven Battaglia, Mike Boss, Guy Camilleri, Spencer Daniels

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Möbius (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet

Starring | Jean Dujardin, Cécile de France, Tim Roth, Émilie Dequenne

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

100% cachemire (2013)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont

Starring | Valérie Lemercier, Gilles Lellouche, Samatin Pendev, Marina Foïs

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Le coeur des hommes 3 (2013)

Motion Picture | 2D | Color | 114 Minutes

Directed by | Marc Esposito | Cinematography by | Pascal Caubère | Editing by | Benoît Alavoine

Starring | Bernard Campan, Jean-Pierre Darroussin, Eric Elmosnino, Marc Lavoine

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Belle et Sébastien (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin

Starring | Félix Bossuet, Tchéky Karyo, Margaux Chatelier, Dimitri Storoge

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Au bout du conte (2013)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud

Starring | Agathe Bonitzer, Agnès Jaoui, Arthur Dupont, Jean-Pierre Bacri

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Quartet (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Dustin Hoffman | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Maggie Smith, Michael Gambon, Billy Connolly, Tom Courtenay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Trilogia II: I skoni tou hronou (2008)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 125 Minutes

Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos

Starring | Willem Dafoe, Bruno Ganz, Michel Piccoli, Irène Jacob

Cameras | ARRIFLEX 535 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Puhdistus (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Antti Jokinen | Cinematography by | Rauno Ronkainen | Editing by | Kimmo Taavila

Starring | Laura Birn, Liisi Tandefelt, Amanda Pilke, Peter Franzén

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Faust (2011)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 140 Minutes

Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild

Starring | Johannes Zeiler, Anton Adasinsky, Isolda Dychauk, Georg Friedrich

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Nous York (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill

Starring | Leïla Bekhti, Géraldine Nakache, Manu Payet, Nader Boussandel

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Mauvaise fille (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet

Starring | Carole Bouquet, Arthur Dupont, Izïa Higelin, Bob Geldof

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Denis (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri

Starring | Fabrice Eboué, Jean-Paul Rouve, Audrey Dana, Sara Giraudeau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

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