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Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

Never Look Away (2018)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith

Starring | Tom Schilling, Sebastian Koch, Paula Beer

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

The Dead (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | John Huston | Cinematography by | Fred Murphy | Editing by | Roberto Silvi

Starring | Anjelica Huston, Donal McCann, Helena Carroll

Cameras | Moviecam SuperAmerica Camera

Lenses | Zeiss Lenses

Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Psycho Wedding Crasher (2017)

Television Movie | 2D | Color | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen

Starring | Heather Elizabeth Morris, Fiona Vroom, Jason Cermak

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses

Killer Twin (2018)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle

Starring | Lindsay Hartley, Jason Cermak, Candice Hunter

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses, Zeiss Zoom Lenses

Deadly Match (2019)

Television Movie | 2D | Color | 1.78:1 (16x9) | 83 Minutes

Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon

Starring | Alyssa Lynch, Mitch Ainley, Tatyana Ali

Cameras | Red Digital Cinema Cameras

The Deleted (2016)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 14 Minutes

| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz

Starring | Nash Grier, Madeline Brewer, Amanda Cerny

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

Mr. Nobody (2009)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress

Starring | Jared Leto, Sarah Polley, Diane Kruger

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Blood and Money (2020)

Motion Picture | 2D | Color | 2.0:1 | 89 Minutes

Directed by | John Barr | Cinematography by | John Barr | Editing by | Roger Cropley II

Starring | Tom Berenger, Kristen Hager, Paul Ben-Victor, Jimmy LeBlanc

Cameras | ARRI ALEXA Mini Camera

The French Dispatch (2021)

Movie | Black & White, Color | 1.37:1, 2.39:1 | 107 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Benicio Del Toro, Adrien Brody, Tilda Swinton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Cooke S4/i Lenses

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Some Kind of Heaven (2020)

Documentary | 2D | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim

Starring | Dennis Dean, Lynn Henry, Anne Kincer

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses

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