Current products Cooke S4/i, 5/i, miniS4/i, Anamorphic/i, Anamorphic/i SF, Anamorphic/i 35-140mm Zoom, Panchro/i Classic, S7/i Full Frame Plus lenses, Cooke Lens Projector, Multi Mounts for the miniS4/i and Panchro/i Classic lenses for Sony E and Micro 4/3 cameras
Cooke Optics Limited | 450 Titles
Phone: +1 44 (0)116 264 0700 / +1 973 335 4460
Contact: Les Zellan
Introduced: 1998
Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Empire of Light (2022)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses
Poltergeist (1982)
Directed by | Tobe Hooper | Cinematography by | Matthew F. Leonetti | Editing by | Michael Kahn
Cameras | Ultracam 35 Camera
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Die Hard (1988)
Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste
Cameras | Panavision Panaflex Gold Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
The Grand Budapest Hotel (2014)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Raging Bull (1980)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Grey’s Anatomy (2005)
| Cinematography by | Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons | Editing by | Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Shine (1996)
Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
A Very Long Engagement (2004)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens
Oscar and Lucinda (1997)
Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Gold II Camera
Spider-Man: Homecoming (2017)
Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental
Lenses | Angenieux Lenses, Cooke S4/i Lenses
An Officer and a Spy (2019)
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze
Cameras | Sony CineAlta VENICE Camera
Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses
Sick of Myself (2022)
Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli
Cameras | ARRICAM Lite (LT) Camera
Beginning (2020)
Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier
Lenses | Cooke 5/i Prime 25mm T1.4 Lens
Breaking Bad (2008)
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
The French Dispatch (2021)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Lenses | Cooke S4/i Lenses
Silverstar (2022)
Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Behold the Lamb (2011)
Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson
Cameras | ARRIFLEX 16mm Cameras
Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses
Music Hole (2021)
Directed by | Gaëtan Lekens, David Mutzenmacher | Cinematography by | Bruno Degrave | Editing by | Alexandre Adam
Cameras | Red Monstro 8K Camera
Lenses | Cooke S7/i 100mm T2.0 Lens, Cooke S7/i 135mm T2.0 Lens, Cooke S7/i 18mm T2.0 Lens, Cooke S7/i 25mm T2.0 Lens, Cooke S7/i 32mm T2.0 Lens, Cooke S7/i 50mm T2.0 Lens, Cooke S7/i 75mm T2.0 Lens
Fortuna (2020)
Directed by | Nicolangelo Gelormini | Cinematography by | Agostino Vertucci | Editing by | Nicolangelo Gelormini
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses
