Canon | 160 Titles
Altered Carbon (2018)
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
Sad Hill Unearthed (2017)
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Più accecante della notte (2016)
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli
Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
Roshtalivik (2016)
Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore
Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera
Raymond’s 5 (2017)
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Epen Cupen the Movie (2015)
The Box (2018)
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
El hombre de las mil caras (2016)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Plus Camera
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
Tophy (2015)
Directed by | Kourosh Parsi | Cinematography by | Alex Grene | Editing by | Kourosh Parsi
Cameras | Sony NEX-FS700 Camera
Lenses | Canon EF Series Lenses
Years of Living Dangerously (2014)
| Cinematography by | Ronan Killeen, Wolfgang Held, Lucian Read, Maryse Alberti, Rick Rowley, Philipp Friesenbichler, Paul Atkins, Joshua Echevarria, Brad Serreno, Christoph Vitt, Ben Bloodwell, David McFarland, Gustavo Acosta, James Adolphus, Nora Ballard, Peter Grigsby, Conny Fridh, Nick Higgins, Joseph Hudson, Tjitte Jan Nieuwkoop, Jato C. Smith, Adam Stone, Diana Wilmar, Andrew Black, Alberto Marquardt, Fred Miller, Mark Moormann | Editing by | Paul Frost, Federico Rosenzvit, Adam Bolt, Dan Madden, Alison Amron, M. Brennan, Tal Ben-David, Cindy Lee, Jennifer McGarrity, Jawad Metni, Ken Eluto, Rebecca Laks, David Marcus, Anna Pivarnik
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Man & Beast (2012)
Directed by | Dante Ariola | Cinematography by | Jeff Cronenweth | Editing by | Andrea MacArthur
Cameras | Canon EOS-C500 Camera
Lenses | Canon EF Series Lenses
Canon USA Commercial: Rhythm of Life (2013)
Directed by | Dean Hargrove | Cinematography by | Steven Poster | Editing by | Peter Harding, Scott Sheppard
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
David and Goliath (2015)
Directed by | Timothy A. Chey | Cinematography by | Michael Richard Johnson | Editing by | S. Michael Rosen Jr., Timothy A. Chey
Cameras | Blackmagic Design Cameras
Scream Bloody Murder (2003)
Directed by | Jon Hoffman | Cinematography by | John Lazear | Editing by | Dave Rock
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
The Lady in Number 6: Music Saved My Life (2013)
Directed by | Malcolm Clarke | Cinematography by | Kieran Crilly | Editing by | Carl Freed
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
