Angenieux | 766 Titles
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Ain’t Them Bodies Saints (2013)
Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Pursuit of Happiness (2001)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian
Cameras | ARRIFLEX 35 Camera
Lenses | Angenieux Lenses, Cooke Lenses
Admission (2013)
Directed by | Paul Weitz | Cinematography by | Declan Quinn | Editing by | Joan Sobel
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Call (2013)
Directed by | Brad Anderson | Cinematography by | Thomas Yatsko | Editing by | Avi Youabian
Cameras | ARRI ALEXA Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses
Olympus Has Fallen (2013)
SOKO Wismar (2004)
| Cinematography by | Constantin Kesting, Klaus Liebertz, Jakob Ebert, Georgij Pestov, Voxi Bärenklau, Nicolai Kätsch, Tobias Platow, Oliver Sander, Andreas Tams, Marcus Kanter, Sabine Berchter, Eeva Fleig, Konstantin Kröning, Till Müller, Inka Sackenheim, Rudolf Schröder, Michael Tötter, Markus Fraunholz, Thomas C. Wagner, Bernhard Wagner, Florian Foest | Editing by | Ines Bluhm, Vessela Martschewski, Claudia Klook, Florentine Bruck, Ingo Ehrlich, Ingo Recker, Yvonne von Bechtolsheim, Esther Weinert, Christine Boock, Julia Dupuis, Christian Bolik, Lars Jordan, Grit Meyer, Gilda Rosskamp, Lars Späth, Dagmar Dick, Ann-Sophie Schweizer, Claudia Fröhlich, Christiane Fazlagic, Lawrence Tooley, Daniel Jakubowski, Jochen Retter
Cameras | ARRIFLEX 16SR3 Camera, GoPro HD Hero2 Camera, GoPro HD Hero3 Camera, Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra 16 Lenses
Vegas (2012)
| Cinematography by | Joseph E. Gallagher, Kramer Morgenthau | Editing by | Mark Manos, Jan Northrop, Fred Peterson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Riddick (2013)
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Tracy Adams
Cameras | ARRI ALEXA Camera
Dead Man Down (2013)
Directed by | Niels Arden Oplev | Cinematography by | Paul Cameron | Editing by | Timothy A. Good, Frédéric Thoraval
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens
Phantom (2013)
Directed by | Todd Robinson | Cinematography by | Byron Werner | Editing by | Terel Gibson
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
For Your Consideration (2006)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera
Stay (2005)
Directed by | David Brind | Cinematography by | Kenneth Wilson II
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses
Stoker (2013)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera
The Lying Game (2011)
| Cinematography by | Dennis Hall, Ian Ellis, Crescenzo G.P. Notarile | Editing by | Janet Weinberg, Tim Tommasino, J. Benjamin Chulay, Henk Van Eeghen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Puberty Blues (2012)
| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo
Reach Me (2014)
Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen
Cameras | Red Epic Camera
