Schneider Platinum IRND Filter | 15 Titles
The Deleted (2016)
| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
The Stroller Strategy (2012)
Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Killers Anonymous (2019)
Revelator (2017)
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
Mängelexemplar (2016)
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Where Do We Go From Here? (2015)
Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail
Cameras | Red Epic Camera
Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Frau Ella (2013)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Puberty Blues (2012)
| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo
1000 to 1: The Cory Weissman Story (2014)
Directed by | Michael Levine | Cinematography by | James Mathers | Editing by | Colleen Halsey, Richard Halsey
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Lenses
Desperate Housewives (2004)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
The Hobbit: An Unexpected Journey (2012)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Jeff, Who Lives at Home (2011)
Directed by | Jay Duplass, Mark Duplass | Cinematography by | Jas Shelton | Editing by | Jay Deuby
Cameras | Red One MX Camera
