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Hoya Filters | 12 Titles

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The Weed Whacker Massacre (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 12 Minutes

Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker

Starring | Meg Ansteensen, Nathan Darrison, Elizabeth A. Devine

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon Lenses

Return of the Thumb (2018)

Motion Picture | 2D | 2K Project | Color | 2.35:1 |

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Raymond’s 5 (2017)

Motion Picture | 2D | 4K Project, UHD Project | Color |

Directed by | James Hastings | Cinematography by | Francis Cousins

Starring | Gareth Lawrence, Faith Elizabeth, Mo Idriss, Emily Highams

Cameras | Red Raven Camera

Lenses | Canon Lenses

Odium (2013)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9), 2.40:1 | 22 Minutes

Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski

Starring | Katarzyna Baurska, Marek Kaliszuk, Dariusz Sztajerwald, Ula Zawadzka

Cameras | Canon EOS-5D Mark III Camera

The Box (2018)

Short Film | 2D | HD Project | Color | 2.35:1 | 56 Minutes

Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart

Starring | Kalila Welch, Isaac Stewart, Briony O'Donoghue, Max Brenner

Cameras | Canon EOS-7D Camera, Sony α7S Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 50 mm f1.2 L Lens

Lacuna (2016)

Short Film | 2D | HD Project | Color |

Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart

Starring | Eliza Scanlen, Isaac Stewart, Joel Winch

Cameras | Canon EOS-1DX Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

TORC – The Off-Road Championships (2012)

Television Series | 2D | Color | 1.78:1 (16x9) |

TORC – The Off-Road Championships | ShotOnWhat?

| Editing by | Brian Lockwood, Rob Taylor, David Brumbley, Tim A. Watson, Darren Porter

Starring | Jim Holthus, Scott Rehn

Cameras | GoPro HD Hero2 Camera, Red Digital Cinema Cameras, Red Epic Camera, Red One MX Camera, Sony Cameras, Sony NEX-FS100 Camera, Sony PMW-F3 Camera

Lenses | Angenieux Lenses, Red Digital Cinema Lenses

Reparando (2010)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 78 Minutes

Reparando | ShotOnWhat?

Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore

Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Panasonic Cameras

51 Paintings (2012)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.39:1 | 78 Minutes

Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey

Starring | Zozie Brown, Beth Clarke, Kim Collmer, Amber Connor

Cameras | Canon EOS 550D Camera, Red One Camera

Lenses | Zeiss DigiPrime Lenses

Marianne (2011)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Filip Tegstedt | Cinematography by | Johan Malmsten | Editing by | Jonas Samuelsson, Anton Silver

Starring | Thomas Hedengran, Peter Stormare, Tintin Anderzon, Sandra Larsson

Cameras | Canon EOS-7D Camera

Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 85 mm f1.2 L II Lens

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