Kodak Vision Color 2383/3383 | 562 Titles
Rock of Ages (2012)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Emma E. Hickox
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Stepfather (2009)
Directed by | Nelson McCormick | Cinematography by | Patrick Cady | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Gold II Camera
End of Watch (2012)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
The White Ribbon (2009)
Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Monika Willi
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
The Odd Life of Timothy Green (2012)
American Gangster (2007)
Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Slumdog Millionaire (2008)
Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
Ocean’s Thirteen (2007)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Larry Crowne (2011)
Directed by | Tom Hanks | Cinematography by | Philippe Rousselot | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Footloose (2011)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Sherlock Holmes (2009)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera
Crazy, Stupid, Love. (2011)
Directed by | Glenn Ficarra, John Requa | Cinematography by | Andrew Dunn | Editing by | Lee Haxall
Cameras | Panavision Panaflex Platinum Camera
Titanic (1997)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
The Matrix Reloaded (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Ghosts of Girlfriends Past (2009)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green
Lenses | Panavision Primo Anamorphic Lenses