35mm Film Negative Width | 2600 Titles
OSS 117: Lost in Rio (2009)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Reynald Bertrand
Amadeus (1984) 
Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Reader (2008)
Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson
Lenses | Zeiss Master Prime Lenses
Notes on a Scandal (2006)
Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen
Lenses | Cooke S4 Lenses
Indiana Jones and the Last Crusade (1989)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The NeverEnding Story (1984)
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Jane Seitz
Lenses | Technovision Lenses
Edward Scissorhands (1990)
Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Colleen Halsey, Richard Halsey
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
Bless the Child (2000)
Directed by | Chuck Russell | Cinematography by | Peter Menzies Jr. | Editing by | Alan Heim
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Monster (2003)
Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Little Children (2006)
The Cemetery Club (1993)
Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter
Cameras | Panavision Panaflex Platinum Camera
Quantum of Solace (2008)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
The Intouchables (2011)
Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous
Lenses | Panavision Primo Anamorphic Lenses
Narc (2002)
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy
Lenses | Zeiss Super Speed Lenses
Pleasantville (1998)
Directed by | Gary Ross | Cinematography by | John Lindley | Editing by | William Goldenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Only Clouds Move the Stars (1998)
Directed by | Torun Lian | Cinematography by | Svein Krøvel | Editing by | Trygve Hagen
Cameras | ARRIFLEX 535 Camera
Lenses | Hawk C-Series Lenses
Conan the Barbarian (1982)
Directed by | John Milius | Cinematography by | Duke Callaghan | Editing by | Carroll Timothy O'Meara
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Star Trek (2009)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Stranger Than Fiction (2006)
