16mm Film Negative Width | 234 Titles
Room X (2008)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams
Cameras | Bolex H16 SB Camera
Lenses | Angenieux Lenses
Bliss (2019)
Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier
Lenses | Zeiss Super Speed Lenses
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
This Is My Desire (2020)
Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee
The Dead and the Others (2018)
Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza
The Last Dance (2020)
| Cinematography by | Thomas McCallum | Editing by | Chad Beck, Devin Concannon, Abhay Sofsky, Ben Sozanski
Cameras | Aaton XTR Camera
On the Battlefield (1972)
Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind
Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera
Lenses | Angenieux Lenses
An American Family (1973)
| Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Easy Rider (1969)
Directed by | Dennis Hopper | Cinematography by | László Kovács, Baird Bryant | Editing by | Donn Cambern
Cameras | ARRIFLEX 35 IIC Camera, Bolex Cameras
Al Medina (2015)
Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi
Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras
Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens
Velvet Goldmine (1998)
Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons
Cameras | Aaton Cameras, Panavision Panaflex Gold Camera
Pi (1998)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch
Cameras | Aaton XTR Prod Camera, Bolex H16 Camera
Lenses | Angenieux Lenses, Canon Lenses
Green Planet (2003)
Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman
Cameras | Canon Scoopic 16 / 16M Camera
First Man (2018)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses
Vice (2018)
Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras
JFK (1991)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia
Lenses | Panavision E35 35 mm T2.0 Lens
Til the End of the Day (2011)
Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Lenses
Clerks (1994)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
Bolivia (1999)
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino
Cameras | Éclair ACL II Camera
Lenses | Optar Illumina S16 Lenses
