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Apollo 18 (2011)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.85:1 | 86 Minutes

Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier

Starring | Warren Christie, Lloyd Owen, Ryan Robbins, Michael Kopsa

Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses | Panavision Primo Digital Lenses

Simon (2004)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 102 Minutes

Simon | ShotOnWhat?

Directed by | Eddy Terstall | Cinematography by | Willem Nagtglas | Editing by | Ben Isaacs

Starring | Cees Geel, Marcel Hensema, Rifka Lodeizen, Nadja Hüpscher

Cameras | Aaton Cameras

Apocalypto (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Gerardo Taracena, Raoul Max Trujillo, Dalia Hernández, Rudy Youngblood

Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

Vera Drake (2004)

Motion Picture | 2D | Color | 1.85:1 | 125 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark

Starring | Imelda Staunton, Jim Broadbent, Heather Craney, Richard Graham

Cameras | Aaton XTR Prod Camera

Lenses | Cooke S4 Lenses

The Last King of Scotland (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright

Starring | James McAvoy, Forest Whitaker, Gillian Anderson, Kerry Washington

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses | Panavision Lenses

Pearl Harbor (2001)

Motion Picture | 2D | Black & White, Color | 2.20:1, 2.39:1 | 183 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Starring | Ben Affleck, Kate Beckinsale, Josh Hartnett, William Lee Scott

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Boy A (2007)

Motion Picture | Color | 1.85:1 | 102 Minutes

Boy A | ShotOnWhat?

Directed by | John Crowley | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti

Starring | Andrew Garfield, Peter Mullan, Shaun Evans, Siobhan Finneran

Cameras | ARRIFLEX 416 Camera

High Crimes (2002)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

High Crimes | ShotOnWhat?

Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian

Starring | Jim Caviezel, Morgan Freeman, Ashley Judd, Adam Scott

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

March of the Penguins (2005)

Documentary | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani

Starring | Morgan Freeman, Charles Berling, Romane Bohringer, Jules Sitruk

Cameras | Aaton XTR Prod Camera

Unknown (2011)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Unknown | ShotOnWhat?

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson

Starring | Liam Neeson, Diane Kruger, January Jones, Aidan Quinn

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Constant Gardener (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson

Starring | Ralph Fiennes, Rachel Weisz, Danny Huston, Hubert Koundé

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux HR Zoom Lenses

An Inconvenient Truth (2006)

Documentary | 2D | HD Project | Color | 1.85:1 | 96 Minutes

Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik

Starring | Al Gore, Billy West, George Bush, George W. Bush

Cameras | Sony HDC-F950 Camera

Get on the Bus (1996)

Motion Picture | Color | 120 Minutes

Get on the Bus | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales

Starring | Ossie Davis, Charles S. Dutton, Andre Braugher, Richard Belzer

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Man on Fire (2004)

Motion Picture | 2D | Color | 2.35:1 | 146 Minutes

Man on Fire | ShotOnWhat?

Directed by | Tony Scott | Cinematography by | Paul Cameron | Editing by | Christian Wagner

Starring | Denzel Washington, Christopher Walken, Dakota Fanning, Radha Mitchell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Thirteen (2003)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson

Starring | Evan Rachel Wood, Holly Hunter, Nikki Reed, Vanessa Hudgens

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses

Everything Moves Alone (2001)

Motion Picture | 2D | Color | 1.37:1 | 100 Minutes

Everything Moves Alone | ShotOnWhat?

Directed by | Mike Aransky, Thomas Edward Seymour | Cinematography by | Mike Aransky, Thomas Edward Seymour | Editing by | Mike Aransky, Philip Guerette, Thomas Edward Seymour

Starring | Philip Guerette, Thomas Edward Seymour, Matt Ford, Tina Angelillo

Cameras | Aaton XTR Camera

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