Kodak Vision3 200T 5213/7213 Neg. Film | 73 Titles
The Hateful Eight (2015)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Jurassic World (2015)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses
Goliyon Ki Rasleela Ram-Leela (2013)
Directed by | Sanjay Leela Bhansali | Cinematography by | Ravi Varman | Editing by | Sanjay Leela Bhansali, Rajesh Pandey
Saint Laurent (2014)
Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Stéphane Garnier, Fabrice Rouaud
Cameras | ARRICAM Lite (LT) Camera
Mandela: Long Walk to Freedom (2013)
Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Invisible Woman (2013)
August: Osage County (2013)
Nightcrawler (2014)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Ping Pong Summer (2014)
Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
The Judge (2014)
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Tammy (2014)
Le dernier des injustes (2013)
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Populaire (2012)
Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine
Day of the Falcon (2011)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Company You Keep (2012)
Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day
Cameras | ARRICAM Lite (LT) Camera
The Amazing Spider-Man 2 (2014)
Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses