Kodak Vision2 200T 5217/7217 Neg. Film | 134 Titles
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Jennifer’s Body (2009)
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
Pride (2007)
Directed by | Sunu Gonera | Cinematography by | Matthew F. Leonetti | Editing by | Billy Fox
Cameras | Moviecam Compact Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Blood and Chocolate (2007)
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
La dame de trèfle (2009)
Directed by | Jérôme Bonnell | Cinematography by | Pascal Lagriffoul | Editing by | Laure Gardette
Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4 Lenses
Little Birds (2011)
Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler
Lenses | Panavision Primo Anamorphic Lenses
Nancy Drew (2007)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Lenses | Panavision Primo Anamorphic Lenses
Dark Frontier (2009)
Directed by | Kriv Stenders | Cinematography by | Jules O'Loughlin | Editing by | Gabriella Muir
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Wolfman (2010)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Walter Murch, Dennis Virkler, Mark Goldblatt
Cameras | Panavision Panaflex Millennium XL Camera
There Will Be Blood (2007)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens
Rockaway (2007)
Directed by | Jeff Crook, Josh Crook | Cinematography by | John Ashmore | Editing by | Michael D. Thomson
Cameras | Kinor 235 Camera, Kinor 35H Camera
National Treasure: Book of Secrets (2007)
Directed by | Jon Turteltaub | Cinematography by | Amir Mokri, John Schwartzman | Editing by | William Goldenberg, David Rennie
Lenses | Panavision Primo Anamorphic Lenses
Centurion (2010)
Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
