Kodak Vision 500T 5279 Neg. Film | 221 Titles
Abominable (2006)
Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
All the Pretty Horses (2000)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
Central Station (1998)
Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery
Magnolia (1999)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | Panavision Cameras, Pathé Cameras
Lenses | Panavision Lenses
Black Hawk Down (2001)
Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
I Am Sam (2001)
Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew
Cameras | Panavision Panaflex Millennium XL Camera
Armageddon (1998)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Unfaithful (2002)
Directed by | Adrian Lyne | Cinematography by | Peter Biziou | Editing by | Anne V. Coates
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Titanic (1997)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
The Matrix Reloaded (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Blood Diamond (2006)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
Vanilla Sky (2001)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi
Cameras | Panavision Panaflex Gold Camera
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Dog of Flanders (1999)
Directed by | Kevin Brodie | Cinematography by | Walther van den Ende | Editing by | Annamaria Szanto
Cameras | ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Down with Love (2003)
Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses