Kodak Vision 500T 5279 Neg. Film | 221 Titles
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Desperate Measures (1998)
Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy
Cameras | Panavision Panaflex Platinum Camera
Malèna (2000)
Directed by | Giuseppe Tornatore | Cinematography by | Lajos Koltai | Editing by | Massimo Quaglia
Cameras | Panavision Cameras
Lenses | Panavision Primo Anamorphic Lenses
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
The Banger Sisters (2002)
Directed by | Bob Dolman | Cinematography by | Karl Walter Lindenlaub | Editing by | Aram Nigoghossian
The Safety of Objects (2001)
Directed by | Rose Troche | Cinematography by | Enrique Chediak | Editing by | Geraldine Peroni
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Far from Heaven (2002)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Young Girl and the Monsoon (1999)
Directed by | James Ryan | Cinematography by | Benjamin Wolf | Editing by | John David Allen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Seven Years in Tibet (1997)
Directed by | Jean-Jacques Annaud | Cinematography by | Robert Fraisse | Editing by | Noëlle Boisson
Lenses | Panavision Primo Anamorphic Lenses
Himalaya (1999)
Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte
In America (2002)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
25th Hour (2002)
Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown
Lenses | Zeiss Ultra Prime Lenses
A Simple Plan (1998)
Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn
Cameras | Panavision Panaflex Platinum Camera
Tuck Everlasting (2002)
Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Evolution (2001)
Directed by | Ivan Reitman | Cinematography by | Michael Chapman | Editing by | Wendy Greene Bricmont, Sheldon Kahn
Cameras | Panavision Cameras
The Straight Story (1999)
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold II Camera
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses