Film Negative Stock » Eastman Kodak Neg. Films » Kodak Vision 250D 5246/7246 Neg. Film

Kodak Vision 250D 5246/7246 Neg. Film | 95 Titles

Kodak Vision 250D 5246/7246 Neg. Film 3.00/5 1 Vote

Introduced: 1997 Discontinued: 2005

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Double Team (1997)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Hark Tsui | Cinematography by | Peter Pau | Editing by | Bill Pankow

Starring | Jean-Claude Van Damme, Dennis Rodman, Mickey Rourke, Paul Freeman

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

In the Bedroom (2001)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Todd Field | Cinematography by | Antonio Calvache | Editing by | Frank Reynolds

Starring | Tom Wilkinson, Sissy Spacek, Nick Stahl, Marisa Tomei

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Insomnia (2002)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Insomnia | ShotOnWhat?

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Al Pacino, Robin Williams, Hilary Swank, Martin Donovan

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Life as a House (2001)

Motion Picture | Color | 2.39:1 | 125 Minutes

Directed by | Irwin Winkler | Cinematography by | Vilmos Zsigmond | Editing by | Julie Monroe

Starring | Hayden Christensen, Kevin Kline, Kristin Scott Thomas, Jena Malone

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Motorcycle Diaries (2004)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende

Starring | Gael García Bernal, Rodrigo De la Serna, Mía Maestro, Mercedes Morán

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera

Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

China Strike Force (2000)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Stanley Tong | Cinematography by | Jeffrey C. Mygatt | Editing by | Pietro Cecchini, Chi Wai Yau

Starring | Aaron Kwok, Norika Fujiwara, Leehom Wang, Ruby Lin

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

From Hell (2001)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

From Hell | ShotOnWhat?

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental

Starring | Johnny Depp, Heather Graham, Ian Holm, Robbie Coltrane

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Abominable (2006)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee

Starring | Matt McCoy, Haley Joel, Christien Tinsley, Karin Anna Cheung

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Terminator 3: Rise of the Machines (2003)

Motion Picture | 2D | Color | 109 Minutes

Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis

Starring | Arnold Schwarzenegger, Nick Stahl, Kristanna Loken, Claire Danes

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

About Adam (2000)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Gerard Stembridge | Cinematography by | Bruno de Keyzer | Editing by | Mary Finlay

Starring | Stuart Townsend, Kate Hudson, Tommy Tiernan, Frances O'Connor

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Pan’s Labyrinth (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana

Starring | Ivana Baquero, Ariadna Gil, Sergi López, Maribel Verdú

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

The Royal Tenenbaums (2001)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor

Starring | Gene Hackman, Gwyneth Paltrow, Anjelica Huston, Ben Stiller

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Gen-X Cops 2: Metal Mayhem (2000)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Benny Chan | Cinematography by | Anthony Pun | Editing by | John Burridge, Ka-Fai Cheung

Starring | Mark Hicks, Paul Rudd, Edison Chen, Stephen Fung

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Fateless (2005)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Lajos Koltai | Cinematography by | Gyula Pados | Editing by | Hajnal Sellõ

Starring | Marcell Nagy, Béla Dóra, Bálint Péntek, Áron Dimény

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Southern Justice (2006)

Motion Picture | 2D | Color | 96 Minutes

Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig

Starring | M.D. Selig, Michael Childers, Lisa Robert, Rico Cymone

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses

Maria Full of Grace (2004)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Joshua Marston | Cinematography by | Jim Denault | Editing by | Anne McCabe, Lee Percy

Starring | Catalina Sandino Moreno, Guilied Lopez, Orlando Tobón, Virgina Ariza

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

Blood Work (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Blood Work | ShotOnWhat?

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Clint Eastwood, Jeff Daniels, Anjelica Huston, Wanda De Jesus

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Fight Club (1999)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | James Haygood

Starring | Brad Pitt, Edward Norton, Meat Loaf, Zach Grenier

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

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