Kodak Vision 250D 5246/7246 Neg. Film | 95 Titles
Introduced: 1997 Discontinued: 2005
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
The Squid and the Whale (2005)
Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
Sick of Myself (2022)
Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli
Cameras | ARRICAM Lite (LT) Camera
The Texas Chainsaw Massacre (2003)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Ocean’s Eleven (2001)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Amores Perros (2000)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda
Cameras | Moviecam Superlight Camera
Under solen (1998)
Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Landspeed (2002)
Directed by | Christian McIntire | Cinematography by | Todd Barron | Editing by | David Flores, Christian McIntire, Ken Peters
Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Lenses
The Fast and the Furious (2001)
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
The End of the Affair (1999)
Directed by | Neil Jordan | Cinematography by | Roger Pratt | Editing by | Tony Lawson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
CSI: Crime Scene Investigation (2000)
| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Johnny Flynton (2002)
Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
The Phantom of the Opera (2004)
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Himalaya (1999)
Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte
A Simple Plan (1998)
Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn
Cameras | Panavision Panaflex Platinum Camera
Tuck Everlasting (2002)
Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses